Kategorie: Graphiken

3 prints (2 colour etchings and 1 colour lithograph); 2 colour etchings with clown motifs making music, each signed in pencil lower right “O. Alt” and numbered lower left “90/150” and “53/150”, image dimensions: each ca. 30 x 24.5 cm; 1 colour lithograph “Cat with music notes”, signed in pencil lower right “O. Alt” and numbered lower left “90/150”, image dimensions: ca. 30 x 25 cm; all 3 prints identically framed, under glass with Passepartout in red-lacquered wooden frame strips (one frame strip with minor surface scratches); frame dimensions: ca. 55.5 x 47 cm; total weight: ca. 6.3 kg.
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Coloured pastel on grey-brown paper, heightened with white; realistic animal painting; profile view of a donkey’s head; signed and dated lower right “O. Bleeker 89”; under glass; green and gilt stepped wooden frame, slightly rubbed; not opened; image size: approx. 64 x 49 cm; frame size: approx. 72.3 x 57 cm; weight: approx. 3.7 kg; shipping exclusively by forwarding agent or at the buyer’s risk.

Lithograph on paper, coloured; architectural painting; sketch titled in the centre below “Aufriß des neuen Schauspielhauses in Hamburg”; plain brown wooden frame; not opened; image section dimensions: approx. 15 x 21 cm; frame dimensions: approx. 29.5 x 34.5 cm; weight: approx. 0.8 kg.

Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Pencil on drawing paper; expressionist portrait painting; frontal three-quarter length view of a man in a suit holding a briefcase; signed and dated (19)60 lower left; chamois-coloured Passepartout; under glass; simple gilt frame with some losses; not opened; image section size: approx. 57 x 39 cm; frame size: approx. 76.5 x 57 cm; weight: approx. 3.7 kg.
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Two colour lithographs, heightened with white and bordered in gold on paper; maritime painting; two depictions of historic tall ship motifs on the high seas (each inscribed in French at the bottom “Goélette dans l’Atlantique-Nord en 1860” and “Navire de Guerre au Siècle du Grand Roy. 1680”); chamois-coloured passepartout; narrow gold-coloured frames; not examined out of frame; image dimensions: each approx. 21 x 30.5 cm; frame dimensions: approx. 33 x 43 cm and 32 x 42 cm; total weight: approx. 1.85 kg.
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Pastel and watercolour on paper; landscape painting with houses in a colourist concept; central perspective onto a row of rooftops behind a hilly meadow with posts; inscribed lower left “Skagen Heckel 09”; minor fraying at the sheet edges and traces of drawing pins; age-related signs of wear; behind glass; wooden frame; sheet size: approx. 25.3 x 40.8 cm.
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3 polychrome collages, consisting of a mixed media on paper with an abstract depiction of a jockey on his horse leaning slightly forward, signed and dated lower left and lower right “W. Homuth 02”, a charcoal drawing on sketching paper with an abstract, monochrome depiction of a dressage rider in an arena on a horse being held at the head by another person, signed and dated in the center below “Homuth 2000”, and a work in chalk, pencil and watercolours on parchment paper with an abstract depiction of a dressage rider on his galloping horse in a field in front of a row of closely standing trees, with visible work traces, signed and dated lower left “W. Homuth 2000”. All with beige Passepartout, modern narrow black plastic frame, under glass, not opened; image section dimensions: ca. 29 x 38.6 cm; frame dimensions: ca. 51.3 x 61 cm; total weight: ca. 8.4 kg.
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Etching on paper; “Mann, Frau & Tier” from 1992; three print motifs on one sheet; abstract figures; depiction of three motifs with female and male figures and an animal with a long neck; numbered lower left “12:110(?)”, titled in the center, signed and dated on the right; sheet dimensions: ca. 53.5 x 35.6 cm; some dark pinpoint stains at the upper edge and age-related signs of wear.

Watercolour on paper; “Dünen und Boote” from 1964; landscape painting in valeuristic colour concept; depiction of several boats floating on a body of water in front of a rugged mountain beneath cumulus clouds; signed and dated lower right; chamois-coloured Passepartout; modern white stepped wooden frame; not opened; under glass; reverse inscribed with the painting’s title and year of creation and bearing the artist’s stamp; age-related signs of wear and discolouration to Passepartout and frame; image size: approx. 46 cm x 59.5 cm; frame size: approx. 68.6 cm x 83.5 cm; total weight: approx. 4.48 kg; shipping exclusively by forwarding agent or at the buyer’s risk.

Suhr, Peter, 19th century
Hand-coloured lithograph on paper; Hamburgensie “Die Englische Kirche in Hamburg” (The English Church in Hamburg); side view of the English church and surrounding gardens with staffage figures; minor foxing; mounted in a passepartout; image dimensions: approx. 23 x 33 cm; passepartout dimensions: approx. 26.5 x 35 cm.

Pencil on paper; realistic sketch; depiction of a man dressed in a kind of uniform, leaning forward in a bowing gesture, with one hand held behind his back; surrounded by two additional sketches of hands; unidentified inscription lower right, possibly a signature; chamois-coloured passepartout with green and violet borders, discoloured with age; behind glass; narrow brown wooden frame with black accents; image section dimensions: approx. 28.8 x 22 cm; frame dimensions: approx. 42 x 32.3 cm; weight: approx. 0.9 kg.
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Unknown artist, 20th century
Colour lithograph; landscape painting; pen drawing coloured with watercolour; view from the pavement onto the Venetian bridge Ponte de l’Ospedaletto with surrounding houses; lower left monogrammed “OE”? and dated (19)90; grey Passepartout behind glass; narrow brown wooden frame with golden edging; not opened; image section dimensions: approx. 39.5 x 27.5 cm; frame dimensions: approx. 62 x 50 cm; weight: approx. 2.7 kg.
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Monochrome print on paper; harbour view depicting sailing ships docking at the shore in front of a village; monogrammed lower left “OE” and dated “(19)90”; bordered square format; under glass; silver-coloured wooden frame; reverse of the frame sealed with wax stamp; not opened; age-related signs of wear; image section dimensions: ca. 39.7 x 39.7 cm; frame dimensions: ca. 43.5 x 43.5 cm; weight: ca. 1.7 kg.

Colour lithograph on paper; coloured line art; depiction of a lady reclining on a Récamière in a white gown with a bare upper body, flanked by two floral elements; signed illegibly lower right, inscribed lower left; under glass; modern gilt frame; not opened; sheet size: approx. 46.5 x 66.6 cm; frame size: approx. 95 x 75 cm; weight: approx. 7.6 kg; shipping exclusively by forwarding agent or at the buyer’s risk.

One woodcut by Grimm; one lithograph with stamp on the reverse “Nachlass Arthur Illies” and inscribed on the front “Pahl, Christian”; one colour lithograph by Charles Lapicque, numbered 28/330 and signed in pencil; partly hand-signed; age-related signs of wear; sheet sizes: approx. 43 x 31 cm, 51.5 x 41.8 cm and 39.5 x 52 cm.

Silk picture, China, circa 1900
Polychrome embroidery on red silk; naturalistic depiction of a pair of pheasants on a meadow with flowering branches and blooming peonies; under glass; in dark stepped wooden frame; not opened; age-related signs of wear; image size: approx. 49 x 58 cm; frame size: approx.55 x 65 cm; weight: approx. 2.7 kg.
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Monochrome prints on paper; landscape views with architectural staffage, consisting of a depiction of the Roman amphitheatre of Pula in Croatia, titled in the centre “POLA” and inscribed lower left with the name of the printing house, in a wide Passepartout with gilt edging, under glass, in a simple gilt frame, not opened, image section dimensions: ca. 9 x 11 cm, frame dimensions: ca. 20.5 x 22.8 cm, together with a depiction of the ancient Italian city of Baiae, titled in the centre “BAY OF BAIÆ”, inscribed lower left “Drawn by J. D. Harding”, lower right “Engraved by J. C. Varrall” and with the name of the printing house, in a wide Passepartout with gilt edging, under glass, in a simple gilt frame, not opened, image section dimensions: ca. 11 x 16 cm, frame dimensions: ca. 25.5 x 31.7 cm; total weight: ca. 880 g.

Multimedia on wood; metal collage from 1974; three-dimensional abstract collage in a complementary colour concept; heterogeneous materials (textile, paint, copper wire, metallic elements, gears) form a dense, relief-like image structure reminiscent of a stylised mechanical system; signed and dated lower right; collage mounted on an additional frame; on the reverse, a booklet with works by the artist and a note with dedication, both affixed; not opened; collage dimensions: approx. 24.2 x 38.2 cm; frame dimensions: approx. 37 x 51 cm; weight: approx. 1.5 kg.