Los Nr. 279
Asiatischer Lackschrank mit Perlmutt- und Speckstein-Applikationen, Japan, 1. Hälfte 20. Jh., und Armlehnstuhl mit Gold und Bemalung, 20. Jh.
Asian lacquer cabinet with polychrome painting, mother-of-pearl and soapstone applications, Japan, first half of the 20th cent. and modern armchair in black lacquer, gold and polychrome decoration, 20th century

Rechteckiger Korpus auf vier Füßen mit Verstrebung; zweitürig; Schwarzlack mit umlaufendem polychromem Floral- und Tierdekor in Malerei sowie appliziertem Perlmutt und eingefärbtem Speckstein; Messingbeschläge; Inneneinteilung mit zwei Schubladen und zwei Böden; Schubladenfronten mit polychromer und goldfarbener Floralbemalung; Messingknäufe; Maße: 107 x 84 x 40 cm; diverse kleine Restaurierungen, Fehlstellen und altersbedingte Bestoßungen. Neuzeitlicher Armlehnstuhl in Schwarzlack; Rückenschild mit floraler Bemalung; Verstrebungen und Armlehnen goldkonturiert; Höhe der Rückenlehne: ca. 90 cm; Maße der Sitzfläche: 50 x 54 cm. Versand ausschließlich per Spedition oder auf Risiko des Käufers.

Rectangular body on four legs with stretcher; two doors; black lacquer with surrounding polychrome floral and animal décor in painting and applied mother-of-pearl and coloured soapstone; brass fittings; interior division with two drawers and two shelves; drawer fronts with polychrome and gilt floral painting; brass knobs; dimensions: 107 x 84 x 40 cm; various small restorations, losses and age-related chips. Modern armchair in black lacquer; backrest panel with floral painting; stretchers and armrests outlined in gold; height of backrest: approx. 90 cm; seat dimensions: 50 x 54 cm. Shipping exclusively by forwarding agent or at the buyer’s risk.

Limit: 380,00 

Eine Auswahl unserer aktuellen Lose:

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  • Los Nr. 370 Morell, Pit (*1939)

    Los Nr. 370
    Morell, Pit (*1939)

    Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    60,00 
  • Los Nr. 371 Volquardsen, Astrid (*1969)

    Los Nr. 371
    Volquardsen, Astrid (*1969)

    Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    900,00 
  • Los Nr. 362 Chagall, Marc (1887 – 1985)

    Los Nr. 362
    Chagall, Marc (1887 – 1985)

    Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    180,00 
  • Los Nr. 363 Chagall, Marc (1887 – 1985)

    Los Nr. 363
    Chagall, Marc (1887 – 1985)

    Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    280,00 

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