Kleine Standfigur einer Bodhisattva (Tara), Nepal oder Tibet, wohl 18. Jh.
Small standing figure of a bodhisattva (Tara), Nepal or Tibet, probably 18th cent.
Bronze mit dunkler Alterspatina und Resten kleiner farbiger Steinapplikationen; 2-teilig gearbeitet in Form einer Standfigur und eines Sockels (quadratische gestufte Basis mit erhöhtem Rundsockel); frontal feingliedrig und detailreich gearbeitete Standfigur einer weiblichen Gottheit, auf dem Kopf- und Halsschmuck jeweils mit kleinen punktartigen farbigen Steincabochon-Einsätzen (1 x fehlend, 1 x defekt), verso vereinfacht abgeflacht gearbeitet; unter den Füßen 2 Vierkantstäbe (wohl später ergänzt) zur Steck-Montierung in den Sockel; Sockel verso mit Fehlstellen; Altersspuren; Gesamthöhe: 25 cm; Gewicht: ca. 1,26 kg.
Bronze with dark age-related patina and remains of small coloured stone appliqués; worked in two parts in the form of a standing figure and a base (square stepped base with raised circular plinth); finely proportioned and richly detailed frontal depiction of a female deity, with small dot-like coloured stone cabochon inserts on the head and neck ornaments respectively (1 x missing, 1 x damaged), verso worked in a simplified, flattened manner; beneath the feet two square-section rods (probably later additions) for plug-in mounting into the base; base verso with losses; age-related signs of wear; overall height: 25 cm; weight: approx. 1.26 kg.
Oil on painting board; “Sylt-Lister lighthouse” from 1958 and without title; abstract landscape painting; 1) depiction of the Lister lighthouse on the Sylter peninsula known as “Ellenbogen,” next to a coastal section with sandy beach and behind greened dunes under a lightly clouded sky; incised signature and designation lower right; several superficial grooves and discolorations. 2) depiction of a beach section in Rantum with dune landscape in the background and surf in the foreground under a blue sky; incised signature and designation lower left; superficial soiling. Both not opened; both in narrow, silver-coloured wooden frames with pearl-bead décor; verso with adhesive labels and numbering or data relating to the painting; image dimensions: approx. 45 x 60.5 cm and approx. 50 x 59.5 cm; frame dimensions: approx. 55.5 x 65 cm and approx. 50 x 66 cm; weight: approx. 3 kg.
Oil on card; “Sylt-Haus in Rantum” from 1956; abstract landscape painting; depiction of a fenced, thatched farmhouse situated within a green field landscape before a coastal shoreline under a cloudy sky with staffage figures; impasto paint application; incised signature and inscription lower left; superficial discolorations and isolated soiling as well as age-related signs of wear; silver-iridescent wooden frame; not opened; verso three adhesive labels with inventory number, title, artist’s name, measurements, one of them from Kunsthaus Schaller, Stuttgart; painting dimensions: approx. 42 x 58.5 cm; frame dimensions: approx. 46.5 x 62.5 cm; weight: approx. 1.4 kg.
Crystal glass and gold-coloured brass bronze; cup with ovoid body, waisted stem and round foot transitioning into a square plinth, with encircling cut decoration in various ornamental patterns; stepped plinth and rim with handles on both sides in diverse ornamental and floral designs made of brass bronze; removable lid with finial in floral and festoon decoration, made of brass bronze; brass mounts to the body removable; underside of the plinth restored over approx. 5.5 cm; age-related signs of wear; height: approx. 23.3 cm; weight: approx. 1.2 kg.
Clear polished and satin-finished crystal; chalice-shaped body with flared rim on a circular foot; the central body encircled by a carved decoration of frosted swallows between columns of ivy; indistinct etched signature to the underside, probably “Lalique France”; restoration to the rim of approx. 4 cm and a chip of approx. 4 mm; age-related signs of wear; height: approx. 12.2 cm; weight: approx. 1.12 kg.