Silberne Andenkendose mit gravierter Widmung, vermutlich Herbert Hoomarkaas, Schoonhoven, Niederlande, 1924
Silver commemorative box with engraved dedication, probably Herbert Hoomarkaas, Schoonhoven, Netherlands, 1924
833/- Silber; Gesamtgewicht: ca. 106 g; Dose in gerundet rechteckiger Form mit umlaufender Bordüre mit Mauresken auf der Wandung und abklappbarem Deckel mit Abbildung eines Interieurs einer Diamantschleiferei mit Personenstaffage und Gravur „N. V. Diamant-Maatschappy 1884. Eduard van Dam. 1924“; gestempelt mit niederländischer Silbergarantiemarke (schreitender Löwe mit Zahl 2) und Meistermarke auf dem Boden, Jahresbuchstabe auf der Innenfalz sowie Beschaumarke mit Buchstaben M auf dem Deckel; altersbedingte Gebrauchsspuren; Maße: ca. 8,5 x 6,7 cm.
833/- silver; total weight: approx. 106 g; box of rounded rectangular form with an encircling border of Moorish-style ornament to the sides and a hinged lid depicting the interior of a diamond polishing workshop with figural staffage, engraved “N. V. Diamant-Maatschappy 1884. Eduard van Dam. 1924”; stamped with the Dutch silver guarantee mark (rampant lion with numeral 2) and maker’s mark to the base, date letter to the inner flange, and assay mark with the letter M to the lid; age-related signs of wear; dimensions: approx. 8.5 x 6.7 cm.
Oil on painting board; “Sylt-Lister lighthouse” from 1958 and without title; abstract landscape painting; 1) depiction of the Lister lighthouse on the Sylter peninsula known as “Ellenbogen,” next to a coastal section with sandy beach and behind greened dunes under a lightly clouded sky; incised signature and designation lower right; several superficial grooves and discolorations. 2) depiction of a beach section in Rantum with dune landscape in the background and surf in the foreground under a blue sky; incised signature and designation lower left; superficial soiling. Both not opened; both in narrow, silver-coloured wooden frames with pearl-bead décor; verso with adhesive labels and numbering or data relating to the painting; image dimensions: approx. 45 x 60.5 cm and approx. 50 x 59.5 cm; frame dimensions: approx. 55.5 x 65 cm and approx. 50 x 66 cm; weight: approx. 3 kg.
Oil on card; “Sylt-Haus in Rantum” from 1956; abstract landscape painting; depiction of a fenced, thatched farmhouse situated within a green field landscape before a coastal shoreline under a cloudy sky with staffage figures; impasto paint application; incised signature and inscription lower left; superficial discolorations and isolated soiling as well as age-related signs of wear; silver-iridescent wooden frame; not opened; verso three adhesive labels with inventory number, title, artist’s name, measurements, one of them from Kunsthaus Schaller, Stuttgart; painting dimensions: approx. 42 x 58.5 cm; frame dimensions: approx. 46.5 x 62.5 cm; weight: approx. 1.4 kg.
Crystal glass and gold-coloured brass bronze; cup with ovoid body, waisted stem and round foot transitioning into a square plinth, with encircling cut decoration in various ornamental patterns; stepped plinth and rim with handles on both sides in diverse ornamental and floral designs made of brass bronze; removable lid with finial in floral and festoon decoration, made of brass bronze; brass mounts to the body removable; underside of the plinth restored over approx. 5.5 cm; age-related signs of wear; height: approx. 23.3 cm; weight: approx. 1.2 kg.
Clear polished and satin-finished crystal; chalice-shaped body with flared rim on a circular foot; the central body encircled by a carved decoration of frosted swallows between columns of ivy; indistinct etched signature to the underside, probably “Lalique France”; restoration to the rim of approx. 4 cm and a chip of approx. 4 mm; age-related signs of wear; height: approx. 12.2 cm; weight: approx. 1.12 kg.