Öl und Tinte auf Malkarton; abstrakte Landschaftsmalerei in Lokalfarben; Darstellung einer weiten, flachen Ackerlandschaft, rechtsseitig gesäumt von Bäumen, am Horizont eine Gebirgskette zu erahnen unter hellblauem Himmel; Zusammenspiel aus pastosem Farbauftrag und Grattage verleiht dem Gemälde Struktur und erzeugt das Gefühl von Bewegung; minimale Restaurationsspuren am oberen rechten Bildrand; unten rechts in Bleistift signiert und datiert auf 1960; verso einige ungedeutete Notizen; breiter dunkelbrauner Holzrahmen mit goldener Innenleiste; nicht geöffnet; altersbedingt guter Gebrauchszustand; Bildmaße: ca. 23,3 x 47 cm; Rahmenmaße: ca. 23,3 x 55,8 cm; Gewicht: ca. 850 g.
Oil and ink on artist’s board; abstract landscape painting in local colours; depiction of a wide, flat field landscape, bordered on the right by trees, with a mountain range faintly discernible on the horizon under a light blue sky; interplay of impasto application of paint and grattage gives the painting structure and creates a sense of movement; minor restoration traces at the upper right edge of the painting; signed and dated in pencil lower right 1960; verso with some indistinct notes; wide dark brown wooden frame with gilt inner border; not opened; good condition consistent with age; painting dimensions: approx. 23.3 x 47 cm; frame dimensions: approx. 23.3 x 55.8 cm; weight: approx. 850 g.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.