Farboffset auf Papier; „Einladung zur Nacht“ aus 1978; abstrakte Collage; Abbildung fragmentarischer, expressiver Porträts bzw. Halbfiguren, teils in Auflösung begriffen, zwischen fenstergeometrischen, Landschafts- und Schriftelementen mit dichten Liniennetzen, die eine fast topografische Struktur erzeugen; unten rechts signiert; unten links Struktur- bzw. Farbveränderung von ca. 1,5 cm; hinter Glas; moderner schwarzer profilierter Rahmen mit Floraldruck; nicht geöffnet; Bildmaße: ca. 49 x 66 cm; Rahmenmaße: ca. 66 x 86 cm; Gewicht: ca. 4,66 kg.
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Colour offset on paper; “Einladung zur Nacht” from 1978; abstract collage; depiction of fragmentary, expressive portraits or half-figures, partly in dissolution, among window-geometric, landscape, and textual elements with dense networks of lines creating an almost topographic structure; signed lower right; structural or colour alteration of approx. 1.5 cm lower left; under glass; modern black profiled frame with floral print; not opened; image dimensions: approx. 49 x 66 cm; frame dimensions: approx. 66 x 86 cm; weight: approx. 4.66 kg.
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Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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