Kristallglas und goldfarbene Messingbronze; Pokal mit ovoidförmigem Korpus, eingezogenem Schaft und rundem Standfuß, in eine quadratische Plinthe übergehend, mit umlaufendem Kerbenschliff in verschiedenen Ornamentiken; getreppte Plinthe und Korpusrand mit beidseitigen Henkeln in diversen ornamentalen und floralen Dekoren aus Messingbronze; abnehmbarem Deckel mit Handhabe in Floral- und Festondekor aus Messingbronze gefertigt; Messingmonturen am Korpus abnehmbar; Plinthe unterseitig restauriert über ca. 5,5 cm; altersbedingte Gebrauchsspuren; Höhe: ca. 23,3 cm; Gewicht: ca. 1,2 kg.
Crystal glass and gold-coloured brass bronze; cup with ovoid body, waisted stem and round foot transitioning into a square plinth, with encircling cut decoration in various ornamental patterns; stepped plinth and rim with handles on both sides in diverse ornamental and floral designs made of brass bronze; removable lid with finial in floral and festoon decoration, made of brass bronze; brass mounts to the body removable; underside of the plinth restored over approx. 5.5 cm; age-related signs of wear; height: approx. 23.3 cm; weight: approx. 1.2 kg.
Solid silver casting (999/- fine silver); sculpture circa 2017; female reclining nude; oxidation residues and minimal age-related signs of wear; underside with artist’s stamp and fineness mark; length: approx. 10 cm.
Bronze with gold patination; “The Thorn Puller” after an antique model “Capitoline Thorn Puller”; figure of a naked youth seated on a plinth in the form of a stylised stone, bending over to pull a thorn from his heel; mounted on a round base of black marble; underside lined with felt; partly with verdigris residues and minimal signs of age-related wear; height: approx. 22.4 cm; weight: approx. 4057 g.
Bronze, brown patinated, mounted on a rectangular wooden plaque; crucifix structured like a triptych, with a semi-sculptural depiction of Jesus beneath the inscription “Ich lebe ihr sollt auch leben” (“I live you also shall live”), and below that a probable depiction of his resurrection in the center, flanked by two scenes from the life of Jesus Christ on the left and right; groove on the reverse for hanging, as well as two holes with wire cables fastening the bronze to the wooden plaque under loose adhesive strips; the connection between relief and wood is slightly loosened; some water stains and chipping on the wooden plaque; age-related signs of wear; dimensions of bronze relief: approx. 43.7 x 31.3 cm; dimensions of wooden plaque: approx. 57.5 x 38.5 cm; total weight: approx. 5.12 kg.
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Colour lithograph on paper; “Solomon” from 1956, from Chagall’s Bible series; combination of expressionism and surrealism; depiction of King Solomon as a monumental central figure in a gesture of blessing, surrounded by angels, figural and ornamental elements, and biblically evocative symbolism in violet and yellow tones, accented in black; catalogue raisonné: Mourlot 131; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 1.4 kg.
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