Paar Farblithographien auf Papier; „Ährenleserin Ruth“ und „Rahel entwendet die Götzenbilder ihres Vaters“ aus 1960, aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus in Ocker-, Blau- und Orangetönen, schwarz akzentuiert. 1) Darstellung der biblischen Figur Ruth bei der Ährenlese in bäuerlich-archaischer Szenerie, umgeben von vegetativen Andeutungen und einer Figur; Werksverzeichnis: Mourlot 246. 2) Darstellung von Rahel in narrativer Szene des Alten Testaments, umgeben von tierischen Formen, fließenden Übergängen und einer Figur; Werksverzeichnis: Mourlot 242. Beide in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten, goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 2,9 kg.
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Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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White porcelain with polychrome decoration painting in pastel shades; consisting of: 1 large vase (H: approx. 31.5 cm) with motif “flying swans over landscape with pollarded willows”, 1 wall plate with motif “flock of geese by the sea” (D: approx. 25 cm); 1st quality (vase) and 2nd quality (plate); very good condition; each base with the green factory mark and the blue waves as well as the numbers “1955 137” (vase) and “1508 1125” (plate); total weight: approx. 2.6 kg.
Clasp in 750/- white gold; stylised flower set with 7 small diamonds, total approx. 0.05 ct; colour and clarity: in the medium range; dimensions: approx. 20.2 x 14.9 mm; cream-coloured Akoya pearls with silvery lustre; natural surface characteristics and slightly irregular shape; diameter: approx. 7.5-8.3 mm; total length: approx. 100 cm.
Platinum; total weight: approx. 13.5 g; stylised lyre form; set with 7 rubies in various colour varieties, carat, inclusion characteristics and cut types: 2 in lozenge shape 9.3 x 7 mm and 7.7 x 6.6 mm; 4 round shapes with diameters of approx. 9.2 mm, 8.7 mm, 6.7 mm and 6.5 mm; oval 1 x 9.2 x 7.3 mm; framed by 111 diamonds pavé-set in various old cuts, total approx. 5.38 ct (according to engraving); colour: H-K; clarity: VS-Piqué 2; dimensions of the pin: 64 x 25.8 mm; stamped on the reverse: Carl Ernst; 2 rubies with punctual bruising, minimal facet wear; pin stem and at the Garder two small tin restorations; rubies likely added later; presumably a marriage.
750/- white gold; total weight: approx. 9.7 g; curved form with 7 composite claw settings and 2 asymmetrically attached bands; set with 12 fine rubies, total approx. 1.3 ct; 2 brilliant-cut diamonds, total approx. 0.46 ct; colour: E-F; clarity: VVS-VS; 44 melee brilliant-cut diamonds, total approx. 0.56 ct; colour: F-H; clarity: VS (upper range); maker’s mark on the reverse; dimensions: approx. 22.6 x 14.9 mm.