Farblithographie auf Papier; „David und Bathseba“ aus 1956, aus Chagalls Bibel-Serie; Darstellung der Gesichter von David und Bathseba in Frontal- und Seitenperspektive, die durch weiche Konturen und fehlende perspektivische Grenzen fast zu einem Gesicht verschmelzen, vor abstrahiertem Hintergrund mit biblischen und figürlichen Elementen; weißes breites Passepartout; hinter Glas; goldener profilierter Holzrahmen; nicht geöffnet; rückseitig mit Klebeetikett der Galerie versehen; Werksverzeichnis: Mourlot 132; Blattmaße: ca. 35,3 x 25,8 cm; Rahmenmaße: ca. 63 x 53 cm; Gewicht: ca. 2,4 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colourless Murano glass; one paperweight of semi-spherical form with inserted air bubbles and the inscription “Coke is CocaCola” in white over orange-red colour ornament in the lower half; height: approx. 6.8 cm; one paperweight of ovoid form with inserted thread-like decoration in green and white in corresponding form with fine polychrome millefiori; height: approx. 10 cm; both in age-related condition of use; total weight: approx. 1466 g.
Cobalt-blue opaque glass with silver overlay; handcrafted, trefoil-shaped curved wall, alternately convex and indented, with continuous floral décor and lip rim in silver overlay; recessed pontil mark on the base; age-related signs of wear; height: approx. 12 cm, weight: approx. 489 g.
Three-piece ensemble comprising: 1) lidded box made of opaque, iridescent glass with compressed spherical wall and pewter mount, front and lid decorated with fine floral enamel painting and relief enamel, highlighted in gold; numbered inside the lid; height: approx. 7 cm. 2) Small vase made of frosted clear glass with cylindrical wall on a compressed spherical shaft, encircled by matte and glossy gold painting with black dots and opaque white relief enamel drops (?); height: approx. 16.4 cm. 3) Footed vase with cylindrical body, indented node on a disc-shaped base, decorated with geometric floral enamel painting in iron red, yellow and green tones; yellow node bearing the mark of the Haida Glass School and Johann Oertel & Co.; chip of approx. 8 mm on the lip rim; height: approx. 17 cm. All pieces in age-related condition with corresponding signs of wear and partial gold abrasion; total weight: approx. 989 g.
Overlaid glass, colourless and opaque in blue, yellow and violet tones; after Émile Gallé; multi-layered polychrome glass etched to create a relief motif, presumably a Vosges landscape; inscribed “Tip Gallé” on the central wall; pontil mark on the underside; base with signs of wear; height: approx. 16 cm; weight: approx. 434 g.