Paar Farblithographien auf Papier; „4 Engel im Paradies“ und „Salomon“ aus 1956 aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus. 1) Abbildung dreier dynamisch angeordneter Engelgestalten, umgeben von organischen Formen und fließenden Übergängen in zarten Violett-, Gelb- und Rottönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 121. 2) Darstellung des Königs Salomon als monumentale Zentralfigur in segnender Geste, umgeben von Engeln, figürlichen und ornamentalen Elementen, biblisch anmutenden Symboliken in Violett- und Gelbtönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 131; beide in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 2,88 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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Erzgebirge woodcarving by the region’s most traditional and renowned manufacturer; extensive orchestra comprising 28 individual figures, standing and seated, each with instruments; the figures originate from various decades and all show defects (small chips, broken or missing parts); undersides mostly with original company labels from different decades, partly with old price tags; height of figures: approx. 3.8-6 cm; total weight: approx. 314 g.
Barrel and cap made of black precious resin with white Montblanc emblem on the cap top; handcrafted bi-color nib marked “4810 14C MONTBLANC 585”; gold-plated rings, one marked “MONTBLANC – MEISTERSTÜCK No 149”; clip ring marked “GERMANY”; signs of use; no guarantee on function; length: approx. 14.7 cm; weight: approx. 38 g.
Brown-patinated bronze; “Le Gentilhomme dit le Callot”; figurative depiction of a gentleman with a pointed beard in historical or allegorical attire, with theatrical features, his head slightly inclined, gaze directed downward, one hand resting on a long staff; signed on the side of the base; surface slightly rubbed, staff slightly bent; height: approx. 32.8 cm; weight: approx. 2549 g.
Copper, gilt with polychrome enamel décor; large beaker with conical body, the front adorned with surrounding ornamental copper fillets, horizontally and ring-shapedly finished at the base and lip rim, filled with enamel in iridescent violet and orange tones with a golden shimmer, interior enamelled in violet with a craquelure structure; stamped monogram on the underside of the base; surface rubbed, well-maintained condition; height: approx. 9.8 cm; weight: approx. 353 g.