Polychrome Platten- bzw. Steinlithographie auf Papier; „Salon des cent“ aus 1896; Plakat im Art-Nouveau-Stil in komplementären, gedämpften Farben; Abbildung der Silhouette einer Dame, die der Künstler auf der Überfahrt von Le Havre nach Bordeaux traf, in aufwendiger Robe mit Handschuhen und Hut bekleidet, in einem Sonnenstuhl an Deck des Schiffes sitzend und auf das offene Meer blickend, auf dem ein Schiff in der Ferne vorbeizieht; das Plakat wurde für die Ausstellung im 'Salon des Cent' gedruckt, die von Oktober 1895 bis März 1896 stattfand, die Eckdaten sind auf dem Plakat vermerkt; seitlich rechts mit Stempel der Druckerei Bourgerie et Cie in Paris und unten rechts mit Künstlermonogramm versehen; weißes Passepartout; moderner schwarzer Holzrahmen mit diversen Verunreinigungen und Abplatzungen; hinter Glas; nicht geöffnet; altersbedingte Gebrauchsspuren; Bildausschnittmaße: ca. 58,5 x 39 cm; Rahmenmaße: ca. 79,5 x 58,5 cm; Gewicht: ca. 3,3 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the 'Salon des Cent', which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Porcelain; celadon-green ground; peony tendrils on the cavetto and rim; central depiction of a garden landscape with peonies; polychrome enamel colours of the Famille Rose palette; plate with two long hairline cracks and various chips, in a condition suitable for extensive restoration; diameter: approx. 22.8 cm.
Porcelain with blue painting; the rim richly decorated with floral and fruit motifs, the centre depicting a blossoming garden landscape with an ochre-coloured border; one plate with a large glued area; various minor chips; diameter: approx. 23 cm.
White porcelain with polychrome décor and gilt accents; form “Ikarus” by Paul Wunderlich; decoration featuring alternating diamond patterns in light blue and green tones, ornamental and acanthus scrollwork on a cobalt-blue band and a surrounding border in varying patterns, framed by golden lines; butter dish consisting of an oval underplate and an ovoid deep cover with handle in the shape of a stylised wing; dimensions: approx. 8.9 cm x 23.7 cm x 18.3 cm; shallow chip at the end of the handle, mostly overpainted in gold; underside with manufacturer’s and designer’s emblem and marks (blind stamp, model number); weight: approx. 785 g.
Black basalt and silver-coloured metal mounts; design with compressed spherical bodies, continuous raised festoon and floral vine décor on a narrow ring foot, J-handles and rims mounted with silver-coloured metal, glazed interior; 3-piece set comprising: sugar bowl with double handles (height: approx. 6.9 cm), cream jug (height: approx. 5.8 cm) and teapot with hinged lid and compressed spherical finial (height: approx. 9.6 cm); on the side of the teapot lid an unidentified mark “AJR” in a cloverleaf shield, underside with maker’s mark and blind stamp; minimal age-related signs of wear, oxidation beneath the slightly loosened mount of the teapot; total weight: approx. 833 g.