Polychrome Platten- bzw. Steinlithographie auf Papier; „Salon des cent“ aus 1896; Plakat im Art-Nouveau-Stil in komplementären, gedämpften Farben; Abbildung der Silhouette einer Dame, die der Künstler auf der Überfahrt von Le Havre nach Bordeaux traf, in aufwendiger Robe mit Handschuhen und Hut bekleidet, in einem Sonnenstuhl an Deck des Schiffes sitzend und auf das offene Meer blickend, auf dem ein Schiff in der Ferne vorbeizieht; das Plakat wurde für die Ausstellung im 'Salon des Cent' gedruckt, die von Oktober 1895 bis März 1896 stattfand, die Eckdaten sind auf dem Plakat vermerkt; seitlich rechts mit Stempel der Druckerei Bourgerie et Cie in Paris und unten rechts mit Künstlermonogramm versehen; weißes Passepartout; moderner schwarzer Holzrahmen mit diversen Verunreinigungen und Abplatzungen; hinter Glas; nicht geöffnet; altersbedingte Gebrauchsspuren; Bildausschnittmaße: ca. 58,5 x 39 cm; Rahmenmaße: ca. 79,5 x 58,5 cm; Gewicht: ca. 3,3 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the 'Salon des Cent', which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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Oil on wood; romantic genre painting; realistic depiction of a tavern interior with staffage figures; fine horizontal crack in the centre of the wooden panel; heavy gilded profiled frame with surrounding oak leaf and beaded border décor; not opened; age-related signs of wear; painting dimensions: approx. 46.5 x 62 cm; frame dimensions: approx. 73 x 87 cm; weight: approx. 9.3 kg.
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