Farblithographie auf Papier; „Rahel entwendet die Götzenbilder ihres Vaters“ aus 1960, aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus in Ocker-, Blau- und Orangetönen, schwarz akzentuiert; Darstellung von Rahel in narrativer Szene des Alten Testaments, umgeben von tierischen Formen, fließenden Übergängen und einer Figur; Werksverzeichnis: Mourlot 242; in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten, goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gewicht: ca. 1,45 kg.
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Colour lithograph on paper; “Rachel Steals Her Father’s Household Gods” from 1960, from Chagall’s Bible series; combination of expressionism and surrealism in ochre, blue and orange tones, accented in black; depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, flowing transitions and a figure; catalogue raisonné: Mourlot 242; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; weight: approx. 1.45 kg.
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Oil on board; untitled, dated 1943; impressionist landscape painting; view of a farmstead with four visible buildings in a winter landscape behind bare tree staffage beneath a cloudy sky; signed and dated lower left; profiled wooden frame in gold-toned and black colours; not opened; foxing on the reverse; foxing and a chip measuring approx. 8 mm at the lower left of the image; image dimensions: approx. 40 x 50 cm; frame dimensions: approx. 46.2 x 56.5 cm; weight: approx. 1.5 kg.
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Oil on canvas, lined; realistic landscape painting; view from a plateau down into a flat valley with fields and tree staffage before a mountain range on the horizon beneath a cloudy sky, in the foreground a calm body of water along whose shore sailing boats are moored beside architectural and figure staffage; extensive craquelure and superficial discoloration as well as soiling of approx. 6 mm along the outer right image edge; profiled dark brown wooden frame with double undulating edge finish and inner gilt border; plaque mounted at the bottom of the frame inscribed “Philip de Koning 1619 – 1689 Amsterdam”; not opened; on the reverse of the stretcher an old adhesive label inscribed “Philippe de Koning 1619 – 1689 élève de Rembrandt”; image dimensions: approx. 37 x 51.3 cm; frame dimensions: approx. 52.2 x 67.4 cm; total weight: approx. 2.3 kg.
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Oil on card; “Reutum-Watt”; landscape painting with rows of houses; depiction of a larger homestead on the coast of the Sylt tidal flats (Reutum), set within a flat green landscape under a cloudy sky; impasto application of paint; incised signature and inscription lower right; superficial soiling; curved brown wooden frame with golden edging; not opened; verso several numbering marks; painting dimensions: approx. 50 x 59 cm; frame dimensions: approx. 56 x 66 cm; weight: approx. 2 kg.
Oil on card; “Bergen”; marine painting; depiction of the harbour of Bergen with a large, moored sailing ship in front of a row of houses on the right side of the composition and a steamship in motion before a mountain range on the left; incised signature and inscription lower left; age-related signs of wear; white stepped wooden frame; not opened; verso repeatedly numbered; painting dimensions: approx. 49.5 x 60 cm; frame dimensions: approx. 55 x 65 cm; weight: approx. 2 kg.