Farblithographie auf Papier; „Rahel entwendet die Götzenbilder ihres Vaters“ aus 1960, aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus in Ocker-, Blau- und Orangetönen, schwarz akzentuiert; Darstellung von Rahel in narrativer Szene des Alten Testaments, umgeben von tierischen Formen, fließenden Übergängen und einer Figur; Werksverzeichnis: Mourlot 242; in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten, goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gewicht: ca. 1,45 kg.
Versand ausschließlich per Spedition oder auf Risiko des Käufers.
Colour lithograph on paper; “Rachel Steals Her Father’s Household Gods” from 1960, from Chagall’s Bible series; combination of expressionism and surrealism in ochre, blue and orange tones, accented in black; depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, flowing transitions and a figure; catalogue raisonné: Mourlot 242; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; weight: approx. 1.45 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
White porcelain with polychrome naturalistic rose blossom painting and gilt rims; lot consisting of: 1 large round plate (D: approx. 34.5 cm), 2 oval bowls (dimensions: approx. 26.2 × 21 and 27 × 21.3 cm); 1st quality and in very good, well-kept condition with few insignificant signs of use; each with underglaze blue sceptre mark, red orb and various painter’s and other marks in black and other colours as well as impressed marks; total weight: approx. 2.5 kg.
833/- silver; total weight: approx. 106 g; box of rounded rectangular form with an encircling border of Moorish-style ornament to the sides and a hinged lid depicting the interior of a diamond polishing workshop with figural staffage, engraved “N. V. Diamant-Maatschappy 1884. Eduard van Dam. 1924”; stamped with the Dutch silver guarantee mark (rampant lion with numeral 2) and maker’s mark to the base, date letter to the inner flange, and assay mark with the letter M to the lid; age-related signs of wear; dimensions: approx. 8.5 x 6.7 cm.
White porcelain with rich gilt bronze and burnished gold decoration and polychrome flower painting “bouquet” in the well; dished form, scalloped wide rim with rich floral relief decoration, two lateral handles; 1st quality and in good condition with age-related signs of wear as well as a flat underside rim chip and 2 minimal flat chips on the foot ring – inconspicuous in presentation; dimensions: approx. 35 × 20.5 cm; underglaze blue crossed swords mark of the knopfswords period (1924-1934), painter’s mark and impressed mark; weight: approx. 855 g.
925/- and 900/- silver; total weight: approx. 70 g; 1) Small oval box with encircling relief floral and vine-leaf decoration to the body and putti decoration to the lid; scrolled thumb rest; interior gilt; underside stamped with several unidentified punches, a British date letter and fineness mark “9125”; dimensions: approx. 3.8 x 2.8 cm. 2) Flat rectangular lidded box with chequered engraved decoration to the front, and two scrolled thumb rests to the sides; interior with remnants of gilding and engraved inscription “10.2.36 KARL”; several small nicks of approx. 1-3 mm in length; inner flange stamped with crescent and crown, unidentified maker’s mark and fineness mark; dimensions: approx. 7.9 x 4.2 cm. Age-related signs of wear and oxidation residues.