Farblithographie auf Papier; „Engel im Paradies“ aus 1956 , aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus; Abbildung dreier dynamisch angeordneter Engelgestalten, umgeben von organischen Formen und fließenden Übergängen in zarten Violett-, Gelb- und Rottönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 121; in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten, goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 1,4 kg.
Versand ausschließlich per Spedition oder auf Risiko des Käufers.
Colour lithograph on paper; “Angels in Paradise” from 1956, from Chagall’s Bible series; combination of expressionism and surrealism; depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accented in black; catalogue raisonné: Mourlot 121; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 1.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Sterling silver; total weight: approx. 131 g; two sauce ladles with heraldic engraving at the end of the handle; stamped on the reverse of the handle with lion passant, date letters (1824 and 1826), London town mark and struck maker’s mark, one with duty mark; age-related signs of wear; length: approx. 17.7 cm and 18.4 cm.
800 silver; total weight: approx. 75 g; six delicate moka spoons with handles in stylised leaf form; stamped on the reverse with crescent and crown, manufacturer’s mark and fineness mark; age-related signs of wear; length: approx. 11 cm.
Sterling silver; total weight: approx. 500 g; assemblage of 10 dessert and 5 teaspoons, partly with fiddle pattern, Old English pattern and various ornithological engravings at the end of the handle; stamped on the reverse with lion passant, duty mark, London town mark, date letters (1790s-1880s) and maker’s marks (Thomas Blake, 4 x William Chawner II, 2 x Thomas Dicks, 2 x William Eley, William Fearn & William Chawner II, 2 x William Eley & William Fearn, Thomas Shepard and George Aldwinckle (one hallmark is indistinct)); age-related signs of wear; length: from approx. 13.8 cm to approx. 17.7 cm.