Weißporzellan mit polychromem Dekor und Goldstaffage; Form „Ikarus“ von Paul Wunderlich; Dekor aus variierenden Rautenmustern in hellblauen und grünen Farbtönen, Ornamental- und Akanthusrankendekor auf kobaltblau unterlegtem Band und einer umlaufenden Bordüre in variierenden Mustern, gerahmt von goldenen Schmucklinien; Konvolut bestehend aus: 1) quadratischer Anbietschale mit ausgestellter Fahne und Bordüre mit klassischem Mäanderdekor auf dunkelblauem Grund; leicht unebenes Dekor an einer Ecke: ca. 1,2 cm; Maße: ca. 3,1 cm x 22 cm x 22 cm. 2) kleiner längsovaler Anbietteller; anstelle des Akanthusmotivs ein umlaufend florales, lachsfarben unterlegtes Band; Maße: ca. 2,6 cm x 25,4 cm x 15,8 cm. 3) längsovaler Anbietteller mit umlaufend goldenem Ornamentaldekor auf rotem Grund; Maße: ca. 3 cm x 33,9 cm x 24,9 cm. 1. Wahl; neuwertig; unterseitig Hersteller-/Designer-Emblem und Beizeichen (Blindstempel, Modellnummer); Gesamtgewicht: ca. 2,12 kg.
White porcelain with polychrome décor and gilt accents; form “Ikarus” by Paul Wunderlich; decoration featuring alternating diamond patterns in light blue and green tones, ornamental and acanthus scrollwork on a cobalt-blue band and a surrounding border in varying patterns, framed by golden lines; set comprising: 1) square serving dish with flared rim and border with classical meander motif on a dark blue ground; slightly uneven décor at one corner: approx. 1.2 cm; dimensions: approx. 3.1 cm x 22 cm x 22 cm. 2) small, elongated oval serving plate; instead of the acanthus motif, a surrounding floral band with a salmon-coloured background; dimensions: approx. 2.6 cm x 25.4 cm x 15.8 cm. 3) elongated oval serving plate with a surrounding golden ornamental décor on a red ground; dimensions: approx. 3 cm x 33.9 cm x 24.9 cm. First choice; as new; underside with manufacturer’s and designer’s emblem and marks (blind stamp, model number); total weight: approx. 2.12 kg.
Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
