6 mocha cups / espresso cups “Neuosier” with floral painting, KPM, Berlin, 18th century, execution 20th c.
Weißporzellan mit polychromer Malerei „Blumen und Schmetterlinge“, Goldakzenten und -rändern; Serviceform mit feinem Relief in Korb- bzw. Weidengeflecht, kleinen Blüten- und Blätterapplikationen sowie kannelierten Tellerfahnen und Gefäßwandungen; bestehend aus: 6 Mokkatassen (Höhe: ca. 5,4 cm) und 6 Untertassen (Durchmesser: ca. 11,3 cm); 1. Wahl und sehr guter Zustand mit minimalen Gebrauchsspuren; im Boden jeweils ältere blaue Zeptermarke, roter Reichsapfel sowie diverse Beizeichen (u. a. Malermarke) und Blindstempel; Gesamtgewicht: ca. 820 g.
White porcelain with polychrome painting “Flowers and Butterflies”, gilt accents and rims; service shape with fine relief in basket or wickerwork pattern, small flower and leaf applications, and fluted saucer rims and vessel walls; comprising: 6 mocha cups (height: ca. 5.4 cm) and 6 saucers (diameter: ca. 11.3 cm); 1st quality and very good condition with minimal signs of use; underside each with older blue sceptre mark, red orb as well as various painter’s marks and impressed marks; total weight: ca. 820 g.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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