Deckelvase mit Stadtansicht, Jubiläumsgabe 1924, Royal Copenhagen, 20er Jahre des 20. Jh.
Covered vase with city view, jubilee gift 1924, Royal Copenhagen, 1920s
Weißporzellan mit polychromer Dekormalerei und Goldschattierung und -Konturierung; auf quadratischer Plinthe amphorenförmiger Korpus mit 2 seitlich hochgezogenen goldenen Handhaben und Deckel mit Goldverzierung; Hauptmotiv Schauseite eine Stadtansicht (Kopenhagen?), Blumenbuketts unter den Handhaben und ein ungedeutetes Motiv „C4“ gekrönt und umrahmt von Zweigen, im Deckelrand bezeichnet in Gold „Fra samtlige Medarbeidere.1896.25. Januar.1921.Dagbladet Borsens Redaktion“; Höhe: 34,5 cm; guter Zustand mit leichten altersbedingten Gebrauchsspuren (Verschmutzung im Inneren); blaue Firmenmarke Krone und 3 Wellen jeweils im Deckel, im Inneren der Vase und im Boden, im Vaseninneren zusätzlich mit Monogrammen „A.W.“ und „E.H.“; Gewicht: ca. 1,5 kg.
White porcelain with polychrome decoration painting as well as gilded shading and contouring; amphora-shaped body on square plinth with 2 high-set gold handles on the sides and lid with gilt decoration; main motif on the front: a city view (Copenhagen?), flower bouquets under the handles and an unidentified motif “C4”, crowned and framed by branches; inscribed in gold on the lid rim “Fra samtlige Medarbeidere. 1896. 25. Januar. 1921. Dagbladet Børsens Redaktion”; height: 34.5 cm; good condition with light age-related signs of wear (soiling inside); blue factory mark crown and 3 waves each on the lid, inside the vase and on the base, additionally inside the vase monograms “A.W.” and “E.H.”; weight: approx. 1.5 kg.
Clasp in 750/- white gold; stylised flower set with 7 small diamonds, total approx. 0.05 ct; colour and clarity: in the medium range; dimensions: approx. 20.2 x 14.9 mm; cream-coloured Akoya pearls with silvery lustre; natural surface characteristics and slightly irregular shape; diameter: approx. 7.5-8.3 mm; total length: approx. 100 cm.
20-carat yellow gold; total weight: approx. 89 g; oval lidded box in yellow gold with framed enamel miniature depicting a Watteau-style scene with an antique-inspired portrayal of a couple leaning toward each other with a dog in an idealised landscape at the centre of the lid, framed by dark blue enamel with guilloché paillon and pellet décor within chased borders featuring green enamel floral scrollwork; rim divided into four square cartouches with ornamental décor and underside with corresponding oval cartouche showing fine floral and ornamental decoration; age-related dents, surface rubbing, and enamel damages of 5 to 10 mm; interior on both sides stamped with fineness mark “20 K” and six-pointed crown with monogram “AI”; dimensions: approx. 2.5 x 6.9 x 4.9 cm.
Platinum; total weight: approx. 80 g; composed of multiple articulated segments with lateral flow; centrally set with 31 rubies in various colour varieties, carat, inclusion characteristics and cut types: 1 cabochon and 30 faceted; dimensions of the stones from 4.6 x 3.7 mm to 10 x 7 mm; laterally framed by a total of 252 diamonds cut in various old cuts; colour: H-L (mid to lower range); clarity: SI-Piqué 2 (in the mid to lower range); concealed box clasp with side safety eights; dimensions of the bracelet: centre approx. 23.6 mm, sides approx. 16.6 mm; total length: approx. 20 cm; stamped on the reverse: Carl Ernst; minor signs of wear to the facet edges; various tin restorations on individual prongs; presumably a marriage assembled from several pieces of jewellery.
Platinum; total weight: approx. 13.5 g; stylised lyre form; set with 7 rubies in various colour varieties, carat, inclusion characteristics and cut types: 2 in lozenge shape 9.3 x 7 mm and 7.7 x 6.6 mm; 4 round shapes with diameters of approx. 9.2 mm, 8.7 mm, 6.7 mm and 6.5 mm; oval 1 x 9.2 x 7.3 mm; framed by 111 diamonds pavé-set in various old cuts, total approx. 5.38 ct (according to engraving); colour: H-K; clarity: VS-Piqué 2; dimensions of the pin: 64 x 25.8 mm; stamped on the reverse: Carl Ernst; 2 rubies with punctual bruising, minimal facet wear; pin stem and at the Garder two small tin restorations; rubies likely added later; presumably a marriage.