Deckelvase mit Stadtansicht, Jubiläumsgabe 1924, Royal Copenhagen, 20er Jahre des 20. Jh.
Covered vase with city view, jubilee gift 1924, Royal Copenhagen, 1920s
Weißporzellan mit polychromer Dekormalerei und Goldschattierung und -Konturierung; auf quadratischer Plinthe amphorenförmiger Korpus mit 2 seitlich hochgezogenen goldenen Handhaben und Deckel mit Goldverzierung; Hauptmotiv Schauseite eine Stadtansicht (Kopenhagen?), Blumenbuketts unter den Handhaben und ein ungedeutetes Motiv „C4“ gekrönt und umrahmt von Zweigen, im Deckelrand bezeichnet in Gold „Fra samtlige Medarbeidere.1896.25. Januar.1921.Dagbladet Borsens Redaktion“; Höhe: 34,5 cm; guter Zustand mit leichten altersbedingten Gebrauchsspuren (Verschmutzung im Inneren); blaue Firmenmarke Krone und 3 Wellen jeweils im Deckel, im Inneren der Vase und im Boden, im Vaseninneren zusätzlich mit Monogrammen „A.W.“ und „E.H.“; Gewicht: ca. 1,5 kg.
White porcelain with polychrome decoration painting as well as gilded shading and contouring; amphora-shaped body on square plinth with 2 high-set gold handles on the sides and lid with gilt decoration; main motif on the front: a city view (Copenhagen?), flower bouquets under the handles and an unidentified motif “C4”, crowned and framed by branches; inscribed in gold on the lid rim “Fra samtlige Medarbeidere. 1896. 25. Januar. 1921. Dagbladet Børsens Redaktion”; height: 34.5 cm; good condition with light age-related signs of wear (soiling inside); blue factory mark crown and 3 waves each on the lid, inside the vase and on the base, additionally inside the vase monograms “A.W.” and “E.H.”; weight: approx. 1.5 kg.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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