Kaffeeservice für 10 Personen mit Dekor „Rothschild“, Herend, Ungarn, 20. Jahrhundert
Coffee st for 10 persons with “Rothschild” décor, Herend, Hungary, 20th century
Weißporzellan mit polychromer „Rothschild“-Dekormalerei und Goldstaffage, „Altozier“-Relief; plastische Deckelrosenknäufe und Ohrenhenkel in Blattoptik; 34-teiliges Kaffeeservice bestehend aus: Kaffeekanne (Höhe: ca. 22 cm), Kuchenplatte (Maße: ca. 36 x 15 cm), Rahmgießer (Höhe: ca. 9,5 cm), Zuckerdose (Höhe: ca. 10 cm), 10 Kaffeetassen (Höhe: ca. 5,5 cm), 10 Unterteller (Durchmesser: ca. 13,5 cm), 10 Kuchenteller (Durchmesser: ca. 17,5 cm); Gesamtgewicht: ca. 6 kg.
White porcelain with polychrome “Rothschild” décor and gilt decoration, “Altozier” relief; lids with applied rose finials and ear-shaped handles with leaf design; 34-piece coffee service comprising: 1) coffee pot (height: approx. 22 cm), cake plate (dimensions: approx. 36 x 15 cm), cream jug (height: approx. 9.5 cm), sugar bowl (height: approx. 10 cm), 10 coffee cups (height: approx. 5.5 cm), 10 saucers (diameter: approx. 13.5 cm), 10 dessert plates (diameter: approx. 17.5 cm); total weight: approx. 5.5 kg.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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