Konvolut 1 große Rundschale und 2 ovale Platten, Form „Rocaille“ mit Rosenblüten Malerei, Friedrich Elias Meyer 1767, KPM Berlin, Ausführung 20. Jh.
Lot of 1 large round bowl and 2 oval plates, form “rocaille” with rose blossom painting, Friedrich Elias Meyer 1767, KPM Berlin, executed 20th cent.
Weißporzellan mit polychromer naturalistischer Rosenblüten Malerei und goldenen Rändern; Konvolut bestehend aus: 1 große Rundplatte (D: ca. 34,5 cm), 2 ovale Schalen (Maße ca. 26,2 x 21 und 27 x 21,3 cm); 1. Wahl und im sehr guten gepflegten Zustand mit wenigen unwesentlichen Gebrauchsspuren; im Boden jeweils blaue Zeptermarke, roter Reichsapfel sowie diverse Beizeichen in schwarz u.a. Farben (u.a. Malermarke) und Blindstempel; Gesamtgewicht: ca. 2,5 kg.
White porcelain with polychrome naturalistic rose blossom painting and gilt rims; lot consisting of: 1 large round plate (D: approx. 34.5 cm), 2 oval bowls (dimensions: approx. 26.2 × 21 and 27 × 21.3 cm); 1st quality and in very good, well-kept condition with few insignificant signs of use; each with underglaze blue sceptre mark, red orb and various painter’s and other marks in black and other colours as well as impressed marks; total weight: approx. 2.5 kg.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.