Schale mit stilisiertem Asthenkel “Flora Danica”, Royal Copenhagen, 1790, Ausf. 20. Jh.
Bowl with stylized branch shaped handle “Flora Danica”, Royal Copenhagen, 1790, executed 20th cent.
Weißporzellan mit polychromer naturalistischer Pflanzenmalerei nach Kupferstichen der botanischen Enzyklopädie des Staates Dänemark (1790 von dem dänischen Kronprinzen und späteren König Friedrich VI 1790 bestellt) und feiner Goldstaffage, Asthenkel und plastischen Blüten; im Spiegel Darstellung von „Potentilla emarginata Pursh“ (Polar-Fingerkraut); 1. Wahl und guter Zustand (leichte Gebrauchsspuren und 2 Spitzen unauffällig minimal an der Unterseite bestoßen); Maße: ca. 24 x 19,3 cm; im Boden grüne Manufakturmarke, unterglasurblaue Wellenmarke, Malerzeichen u.a. Zeichen und Buchstaben; Gewicht: ca. 630 g.
White porcelain with polychrome naturalistic plant painting after copper engravings of the botanical encyclopaedia of the state of Denmark (commissioned in 1790 by the Danish Crown Prince and later King Frederick VI) and fine gilt decoration, branch handle and applied flowers; in the well depiction of “Potentilla emarginata Pursh” (polar cinquefoil); 1st quality and in good condition (light signs of use and 2 tips inconspicuously slightly chipped on the underside); dimensions: approx. 24 × 19.3 cm; underside with green factory mark, underglaze blue wave mark, painter’s mark and other signs and letters; weight: approx. 630 g.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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