Seltenes Teeservice mit Festondekor, Wedgewood, Stoke-on-Trent, England, 20. Jh.
Rare tea service with festoon décor, Wedgwood, Stoke-on-Trent, England, 20th century
Schwarzer Basalt und Montierungen aus silbernem Metall; Ausführung mit gedrückt kugeligen Korpora, umlaufendem erhabenem Feston- und floralem Rankendekor auf schmalem Standring, J-Henkeln und Öffnungsrändern mit silberfarbenem Metall, innen lasiert; 3-teiliges Konvolut bestehend aus: Zuckerschale mit beidseitigen Henkeln (Höhe: ca. 6,9 cm), Rahmgießer (Höhe: ca. 5,8 cm) und Teekanne mit abklappbarem Deckel und gedrückt kugeliger Handhabe (Höhe: ca. 9,6 cm); seitlich am Teedeckelrand ungedeuteter Stempel „AJR“ im Kleeblattschild, unterseitig mit Firmen- und Blindstempel versehen; minimale altersbedingte Gebrauchsspuren, Oxidation unter der leicht gelösten Montierung der Kanne; Gesamtgewicht: ca. 833 g.
Black basalt and silver-coloured metal mounts; design with compressed spherical bodies, continuous raised festoon and floral vine décor on a narrow ring foot, J-handles and rims mounted with silver-coloured metal, glazed interior; 3-piece set comprising: sugar bowl with double handles (height: approx. 6.9 cm), cream jug (height: approx. 5.8 cm) and teapot with hinged lid and compressed spherical finial (height: approx. 9.6 cm); on the side of the teapot lid an unidentified mark “AJR” in a cloverleaf shield, underside with maker’s mark and blind stamp; minimal age-related signs of wear, oxidation beneath the slightly loosened mount of the teapot; total weight: approx. 833 g.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
Shipping exclusively by forwarding agent or at the buyer’s risk.