Los Nr. 255
Vier Andenkenplaketten, KPM, Berlin, 20. Jahrhundert
Four commemorative plaques, KPM, Berlin, 20th century

Weißes Biskuitporzellan auf rundem Fond; Konvolut Andenkenplaketten, bestehend aus: 1) Brustbildnis im Profil von Napoleon Bonaparte nach einem Modell von Leonhard Posch; rückseitig gestempelt mit Jahreszahlen und Namen des Abgebildeten und des Bildhauers sowie Zeptermarke mit Schleifstrich; Durchmesser: ca. 8,1 cm. 2) Brustbildnis im Profil von Friedrich Schiller nach einem Modell von F. A. Fischer; rückseitig gestempelt mit Jahreszahlen und Namen des Abgebildeten und des Bildhauers sowie Zeptermarke mit Schleifstrich; Durchmesser: ca. 8 cm. 3) seitliche Profilansicht von Käthe Kollwitz mit Namenszug nach einem Modell von S. Schütz; rückseitig mit Daten zu Abgebildeter und Bildhauer sowie mit Zeptermarke mit Schleifstrich gestempelt; Durchmesser: ca. 8 cm. 4) Bruststück im Profil von Königin Luise nach einem Modell von Leonhard Posch; rückseitig gestempelt mit Jahreszahlen und Namen des Abgebildeten und des Bildhauers sowie Zeptermarke mit Schleifstrich; Durchmesser: ca. 8 cm. Alle Teile mit altersbedingten Gebrauchsspuren.

White biscuit porcelain on round base; lot of commemorative plaques, comprising: 1) bust in profile of Napoleon Bonaparte after a model by Leonhard Posch; reverse stamped with years and names of the sitter and sculptor as well as sceptre mark with cancellation line; diameter: ca. 8.1 cm. 2) bust in profile of Friedrich Schiller after a model by F. A. Fischer; reverse stamped with years and names of the sitter and sculptor as well as sceptre mark with cancellation line; diameter: ca. 8 cm. 3) side profile of Käthe Kollwitz with name inscription after a model by S. Schütz; reverse with data on sitter and sculptor as well as sceptre mark with cancellation line; diameter: ca. 8 cm. 4) bust in profile of Queen Luise after a model by Leonhard Posch; reverse stamped with years and names of the sitter and sculptor as well as sceptre mark with cancellation line; diameter: ca. 8 cm. All pieces with age-related signs of wear.

Limit: 80,00 

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  • Los Nr. 361 Chagall, Marc (1887–1985)

    Los Nr. 361
    Chagall, Marc (1887–1985)

    Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    330,00 
  • Los Nr. 357 Waldegg, Franz (1888 – 1966)

    Los Nr. 357
    Waldegg, Franz (1888 – 1966)

    Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    160,00 
  • Los Nr. 358 Wohlers, Horst (*1935)

    Los Nr. 358
    Wohlers, Horst (*1935)

    Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.

    120,00 
  • Los Nr. 359 Wriggers, Adolf H. (1896 – 1984)

    Los Nr. 359
    Wriggers, Adolf H. (1896 – 1984)

    Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    160,00 

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