2-reihige Süßwasserperlenkette mit goldenem Schloss, 4 Mondstein-Cabochons und 5 Rubinen, Goldschmiedearbeit, 1980er Jahre
2-strand freshwater pearl necklace with gold clasp, 4 moonstone cabochons and 5 rubies, goldsmith’s work, 1980s
Schloss aus 585/- Gelbgold; Gesamtgewicht: ca. 10,5 g; Kastenschloss in ovaler, sechspassiger Form; auf mattiertem Grund vier Zargenfassungen mit je einem gefassten, runden Mondstein-Cabochon in hellblauer Farbvarietät mit adularisierendem Farbspiel; Durchmesser inkl. Fassung: ca. 7,8-8,2 mm; unterteilt von fünf runden, facettierten Rubinen in dazwischen gesetzten Zargenfassungen; Durchmesser inkl. Fassung: ca. 4 mm; rot bis leicht violette Farbvarietät; mittig zweifach, bogenförmig unterteilt von stilisiertem Runddraht in Flechtornamentik; Maße des Schlosses: ca. 20,9 x 29,4 mm; durch tulpenförmige Kapseln verbunden mit zwei cremefarbenen Süßwasserperlen in gedrückt-mugliger Form; durchschnittlicher Durchmesser: ca. 5,7 mm; Länge der durchgeknoteten Stränge: ca. 36 cm und 33 cm; Kette muss neu aufgezogen werden, ist gerissen.
Clasp made of 585/- yellow gold; total weight: approx. 10.5 g; box clasp in oval six-lobed shape; on a matte ground, four bezel settings, each holding a round moonstone cabochon in a light blue colour variety with adularescent play-of-colour; diameter incl. setting: approx. 7.8-8.2 mm; interspaced with five round faceted rubies set in between in bezel settings; diameter incl. setting: approx. 4 mm; red to slightly violet colour variety; centrally divided in two curved sections by stylised round wire in braided ornamentation; clasp dimensions: approx. 20.9 x 29.4 mm; connected via tulip-shaped caps to two cream-coloured freshwater pearls in compressed, baroque form; average diameter: approx. 5.7 mm; lengths of the knotted strands: approx. 36 cm and 33 cm; necklace is broken and needs to be restrung.
Colour lithograph on paper; “David with the harp” from 1956, from Chagall’s Bible series; depiction of King David holding a harp, his central attribute, in both hands, against a background reduced to atmospheric colour fields in red tones, accentuated in black and grey; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; with certificate from Galerie Hohmann, Hamburg; edition of 6500 unsigned copies; catalogue raisonné: Mourlot 134; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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