2-rhg. Akoya-Perlenkette mit Schloss mit 9 hochfeinen Saphiren und 16 Brillanten, zus. ca. 0,7 ct, Juwelierarbeit, 80er Jahre
Double-strand Akoya pearl necklace with clasp set with 9 fine sapphires and 16 brilliant-cut diamonds, total approx. 0.7 ct, jeweller’s work, 1980s
Schloss: 750/- Weißgold; Rosettenform aus einzelnen, getreppt angeordneten Krappenfassungen; ausgefasst mit 9 hochfeinen, runden, facettierten Saphiren und 16 Brillanten, zus. ca. 0,7 ct; Farbe: F-H; Reinheit: VS1-SI; mittlerer und seitlicher Saphir mit kleinem Chip; Durchmesser: ca. 18,7 mm; 2-rhg. cremefarbene Perlenkette mit silberfarbenem Lüster und kleinen, natürlichen Oberflächenmerkmalen; Collier-Gesamtlänge: ca. 47 cm und 49 cm (durchgeknotet).
Clasp: 750/- white gold; rosette form composed of individually stepped prong settings; set with 9 fine round faceted sapphires and 16 brilliant-cut diamonds, total approx. 0.7 ct; colour: F-H; clarity: VS1-SI; central and side sapphire with small chip; diameter: approx. 18.7 mm; double-strand cream-coloured pearl necklace with silvery lustre and minor natural surface features; total necklace length: approx. 47 cm and 49 cm (knotted).
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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