Anhänger mit Collierkette und mehrgliedriges Armband, verschiedenfarbige Moos,- und Landschaftsachat-Cabochons, Goldschmiedearbeit, um 1900 und 20. Jh.
Pendant with chain and multi-link bracelet with various agate cabochons, goldsmith’s work, circa 1900 and 20th century
1.) Anhänger: 585/- Gelbgold; Gesamtgewicht: ca. 41,8 g; im hochoval gefasster Landschaftsachat-Cabochon; schmaler, gezackter Fassungsrand und schlichte Dreiecksöse; Maße des Anhängers: ca. 33,9 x 22 mm; Höhe: ca. 5,6 mm; dazugehörige Collierkette im venezianischen Muster; 585/- Gelbgold; Gesamtgewicht: ca. 7,4 g; Gesamtlänge: ca. 58 cm. 2.) Armband: 585/- Gelbgold; Gesamtgewicht: ca. 29 g; sieben im hochoval gefasste Moos-, Landschaftsachate und Jaspis-Cabochons mit seitlichem Verlauf; schmaler, gezackter Fassungsrand; jede einzelne Fassung mit dreifachen kleinen Ösen verbunden, z. T. in Gelbgold und diversen ersetzten Ösen aus Silber; doppelte Sicherheitsketten; kleinere Restaurierungsstellen mit Zinn gelötet; Maße der mittigen Fassung: ca. 34,7 x 22,4 mm und seitliche Fassungen: ca. 28 x 17,5 mm; Gesamtlänge: ca. 17,5 cm; altersbedingte Gebrauchsspuren.
1.) Pendant: 585/- yellow gold; total weight: approx. 41.8 g; high oval landscape agate cabochon; narrow serrated bezel and simple triangular bail; dimensions of pendant: approx. 33.9 x 22 mm; height: approx. 5.6 mm; matching Venetian link chain; 585/- yellow gold; total weight: approx. 7.4 g; total length: approx. 58 cm. 2.) Bracelet: 585/- yellow gold; total weight: approx. 29 g; seven high oval moss, landscape agate and jasper cabochons with lateral progression; narrow serrated bezel; each setting connected by three small loops, partly in yellow gold and some replaced in silver; double safety chains; minor repair areas soldered with tin; dimensions of central setting: approx. 34.7 x 22.4 mm and side settings: approx. 28 x 17.5 mm; total length: approx. 17.5 cm; age-related signs of wear.
Colour lithograph on paper; “David with the harp” from 1956, from Chagall’s Bible series; depiction of King David holding a harp, his central attribute, in both hands, against a background reduced to atmospheric colour fields in red tones, accentuated in black and grey; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; with certificate from Galerie Hohmann, Hamburg; edition of 6500 unsigned copies; catalogue raisonné: Mourlot 134; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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