Breiter Armreifen mit 17 hochwertigen Rubinen, zus. ca. 5,5 ct, und 7 Diamanten, zus. ca. 0,9 ct, Gerhard Gülzau, Plön, 80er Jahre
Broad massive bangle with 17 high-quality rubies, total ca. 5.5 ct, and 7 diamonds, total ca. 0.9 ct, all pear-cut, from the goldsmith’s workshop Gerhard Gülzau, Germany, 1980s
585/- Weißgold; Gesamtgewicht: ca. 55,1 g; breite, leicht ovale, aufklappbare Reifform aus 10 einzelnen, nebeneinander liegenden, gezackten, vierkantigen Drähten, mit teils schraffierter und polierter Oberflächenstruktur; auf der Schauseite unregelmäßig angeordnete auf- und eingesetzte Krappenfassungen; ausgefasst mit 17 Rubinen im Tropfenschliff, zus. ca. 5,5 ct; hochwertige, rot-violette Farbvarietäten mit sehr leichten, unterschiedlichen Farbnuancen und Einschlüssebildern; konturiert von 7 tropfenförmigen Diamanten, zus. ca. 0,9 ct; Farbe: E-G; Reinheit: VVSI-VSI; verdecktes Kastenschloss mit seitlichen Sicherheitsachten; Breite des Armreifens: ca. 42,2 mm; Reifinnenmaße: ca. 5,5 x 5,2 mm; ein Rubin mit kleinem Chip unter der Krappe.
585/- white gold; total weight: ca. 55.1 g; broad, slightly oval, hinged form composed of 10 individual, adjoining, serrated, square wires with partly hatched and polished surface structure; front with irregularly arranged prong settings, set with 17 pear-cut rubies, total ca. 5.5 ct; high-quality red-violet varieties with very slight, differing nuances of colour and inclusions; contoured by 7 pear-cut diamonds, total ca. 0.9 ct; colour: E-G; clarity: VVSI-VSI; concealed box clasp with side safety eights; width of bangle: ca. 42.2 mm; inner dimensions: ca. 5.5 x 5.2 mm; one ruby with small chip under the prong.
Colour lithograph on paper; “David with the harp” from 1956, from Chagall’s Bible series; depiction of King David holding a harp, his central attribute, in both hands, against a background reduced to atmospheric colour fields in red tones, accentuated in black and grey; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; with certificate from Galerie Hohmann, Hamburg; edition of 6500 unsigned copies; catalogue raisonné: Mourlot 134; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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