Breiter, massiver Ring mit Tansanit und 11 Brillanten, zus. ca. 0,2 ct, Goldschmiedearbeit NM, 21. Jh.
Broad, solid ring set with tanzanite and 11 brilliant-cut diamonds, total approx. 0.2 ct, goldsmith’s work NM, 21st cent.
750/- Gelb- und Weißgold; Gesamtgewicht: ca. 13,9 g; breite, massive Bandform; rückseitig mit abgeschrägten Kanten; in weißgoldener, aufgesetzter, runder Zargenfassung gefasster, facettierter Tansanit in heller blau-violetter Farbvarietät; Durchmesser: ca. 7 mm; Höhe: ca. 6 mm; seitlich auf den Ringschultern jeweils 5 und 6 gefasste Brillanten, zus. ca. 0,2 ct; Farbe: F-H; Reinheit: VS1-SI; Breite der Ringschiene: ca. 8,1 mm; mittige Höhe: ca. 5,3 mm; Ringgröße: 54.
750/- yellow and white gold; total weight: approx. 13.9 g; broad, solid band form with beveled edges at the back; set in a raised white gold round bezel setting with a faceted tanzanite in a light blue-violet colour variety; diameter: approx. 7 mm; height: approx. 6 mm; on the ring shoulders, 5 and 6 brilliant-cut diamonds respectively, total approx. 0.2 ct; colour: F-H; clarity: VS1-SI; width of ring band: approx. 8.1 mm; central height: approx. 5.3 mm; ring size: 54.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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