Brosche/ Anhänger mit reichem Diamantenbesatz, ca. 3,5 ct, und Akoya-Perle, im antikisierenden Stil, 20. Jh.
Brooch/ pendant with full diamond setting, approx. 3.5 ct, and Akoya pearl, in neo-antique style, 20th century
750/- Weißgold; Gesamtgewicht: ca. 16,4 g; stilisiertes, erhabenes Dreieck aus durchbrochenem Ornamentdekor mit auf- und eingesetzten Fassungen; Mittelstein im Rosenschliff, ca. 0,6 ct; Farbe: H; Reinheit: VVSI-VSI; 107 Diamanten, zus. ca. 2,9 ct, teils Altschliff- und Miléesteine; Farbe im mittleren bis unteren Bereich; Reinheit im oberen bis mittleren Bereich; einige Steine wohl rückseitig foliert; am unteren Ende angehängte champagnerfarbene Akoya-Perle mit silbergrauem Lüster; rückseitige Broschierung und Anhängeröse; partielle Kerben an den Facettenkanten; Gesamtlänge: ca. 47 mm; Breite: ca. 35,1 mm.
750/- white gold; total weight: approx. 16.4 g; stylised raised triangular form with openwork ornamental décor and applied settings; central rose-cut diamond, approx. 0.6 ct; colour: H; clarity: VVSI-VSI; 107 diamonds totalling approx. 2.9 ct, partly old-cut and melee stones; colour in the medium to lower range; clarity in the upper to medium range; some stones probably foil-backed; suspended at the lower end, a champagne-coloured Akoya pearl with silvery-grey lustre; pin fitting and suspension loop on reverse; minor facet edge nicks; total length: approx. 47 mm; width: approx. 35.1 mm.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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