Krawattennadel mit Opal-Cabochon und 12 kleinen Diamantrosen, um 1900
Tie pin with opal cabochon and 12 small diamond roses, circa 1900
585/- Roségold; Gesamtgewicht: ca. 2,1 g; hochovale Nadelbekrönung in Rosettenform aus einzelnen Krappenfassungen; zentral gefasster Opal-Cabochon in opaker Milchopalvarietät; umrahmt von zwölf kleinen Diamantrosen; Farbe und Reinheit im mittleren bis unteren Bereich; Maße: ca. 9,1 x 8,1 mm; Höhe: ca. 5,8 mm; Länge des Nadelstiels: ca. 62,7 mm; unter einer Krappe minimaler Randausbruch am Opal; kleine, mit Zinn gelötete Restaurierung am Garder; im originalen Etui.
585/- rose gold; total weight: approx. 2.1 g; high oval head in rosette form composed of individual claw settings; centrally set opal cabochon in opaque milky opal variety; surrounded by twelve small diamond roses; colour and clarity in the mid to lower range; dimensions: approx. 9.1 x 8.1 mm; height: approx. 5.8 mm; length of pin shaft: approx. 62.7 mm; minor edge chip to the opal beneath one claw; small repair at the pin guard, soldered with tin; in original case.
Colour lithograph on paper; “David with the harp” from 1956, from Chagall’s Bible series; depiction of King David holding a harp, his central attribute, in both hands, against a background reduced to atmospheric colour fields in red tones, accentuated in black and grey; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; with certificate from Galerie Hohmann, Hamburg; edition of 6500 unsigned copies; catalogue raisonné: Mourlot 134; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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