Bandring mit Ceylon-Saphir ca. 1,08 ct und 8 Brillanten, zus. ca. 0,48 ct, Goldschmiedearbeit, 1990er Jahre
Ring with Ceylon sapphire approx. 1.08 ct and 8 brilliant-cut diamonds, total approx. 0.48 ct, goldsmith’s work, 1990s
750/- Gelbgold; Gesamtgewicht: ca. 11 g; stilisierte Bandringform; zentral gefasster Ceylon-Saphir ca. 1,08 ct (lt. Gravur); in leicht rechteckiger, gebauchter, weißgoldener Zargenfassung gefasst; seitlich auf der weißgoldenen, linearen Ringschienenschulter jeweils 4 gefasste Brillanten, zus. ca. 0,48 ct; Farbe: Top Wesselton; Reinheit: SI; seitlich in Gelbgold eingerahmt; Breite der Ringmitte: ca. 8,1 mm; Ringgröße: 52,5; Saphir-Facetten und Ringoberflächen mit deutlichen Tragespuren.
Alle Angaben lt. Schmuckpass der Firma Christian Fassbender, 1998; Schätzung von Juwelier Mahlberg von 2023.
750/- yellow gold; total weight: approx. 11 g; stylised band ring design; centrally set Ceylon sapphire approx. 1.08 ct (according to engraving); mounted in a slightly rectangular, convex white gold bezel setting; on the white gold linear shoulders of the ring shank, each side set with 4 brilliant-cut diamonds, total approx. 0.48 ct; colour: Top Wesselton; clarity: SI; framed laterally in yellow gold; width of ring head: approx. 8.1 mm; ring size: 52.5; sapphire facets and ring surface with visible signs of wear.
All details according to the jewellery certificate by Christian Fassbender, 1998; appraisal by jeweller Mahlberg from 2023.
Oil on panel; landscape painting; depiction of a shepherd standing within the archway of an aqueduct ruin before an expansive mountainous landscape, gazing at his livestock in the foreground, which are watering and resting by a body of water; in the style of Nicolaes Berchem; lower left illegibly signed “ABeyeyn(?)”, with restoration traces in the signature area; age-related surface discolouration and visible wood grain; wide, profiled dark brown wooden frame with gilt accents; not opened; reverse stamped by the framer; image dimensions: approx. 36 x 32.5 cm; frame dimensions: approx. 47 x 43 cm; total weight: approx. 1.9 kg.
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Oil on canvas; marine painting with a valeuristic colour concept; view from a shoreline across waters navigated by steamships and sailing boats, set before a rocky coastal landscape under a cloudy sky; signed lower right; loss of approx. 4 mm to the canvas; localised soiling and discolouration, with fine craquelure in places; ornate profiled wooden frame with carved ornamental and floral decoration, showing some losses and fine cracks; the frame bears a metal plaque inscribed “Prof. Schnars-Alpuist”; not opened; reverse with old adhesive labels on stretcher and frame providing information on the framer and the painting, as well as various numbers and annotations; image dimensions: approx. 30.5 x 61 cm; frame dimensions: approx. 51 x 80 cm; total weight: approx. 6.4 kg.
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Oil on card; abstract genre painting with a triadic colour concept; depiction of a Moroccan street scene with rows of houses and figures carrying baskets walking through an alley between seated people with their goods under a light-blue sky; signed lower right; superficial discolorations and minimal signs of wear; curved brown wooden frame with golden edging; verso repeatedly numbered and inscribed “Strasse von Tanger”; newly framed; not opened; painting dimensions: approx. 44 x 58.5 cm; frame dimensions: approx. 50.5 x 65.5 cm; weight: approx. 2.4 kg.
Oil on canvas; industrial painting in muted colours; depiction of a large industrial complex with blast furnaces, smoking chimneys and industrial buildings in front of works railway tracks with several tipper wagons; signed lower right and inscribed “Mchn.”; minimal superficial discoloration; double-stepped wooden frame in marbled gold and white tones; not opened; image dimensions: approx. 80.5 x 80.5 cm; frame dimensions: approx. 95 x 95 cm; weight: approx. 3 kg.