Prunkvolle Nadel mit 7 Rubinen und ca. 111 Altschliff-Diamanten, zus. ca. 5,38 ct (lt. Gravur), gestempelt Carl Ernst, aus verschiedenen Epochen
Magnificent pin with 7 rubies and approx. 111 old-cut diamonds, total approx. 5.38 ct (according to engraving), stamped Carl Ernst, from various eras
Platin; Gesamtgewicht: ca. 13,5 g; stilisierte Lyraform; ausgefasst mit 7 Rubinen in unterschiedlichen Farbvarietäten; Carat; Einschlussbildern und Schliffarten: 2 x in Rautenform 9,3 x 7 mm und 7,7 x 6,6 mm; 4 x Rundeform im Durchmesser ca. 9,2 mm, 8,7 mm, 6,7 mm und 6,5 mm; Oval 1 x 9,2 x 7,3 mm; umrahmt von 111 Diamanten in Pavé gefasst in verschiedenen Altschliffen geschliffen, zus. ca. 5,38 ct (lt. Gravur); Farbe: H-K; Reinheit: VS-Piqué 2; Maße der Nadel: 64 x 25,8 mm; rückseitig gestempelt: Carl Ernst; 2 Rubine mit punktuellen Bestoßungen, minimaler Facettenabrieb; Nadelstiel und am Garder zwei kleine Zinn-Restaurierungen; Rubine wohl später eingesetzt; vermutlich eine Marriage.
Platinum; total weight: approx. 13.5 g; stylised lyre form; set with 7 rubies in various colour varieties, carat, inclusion characteristics and cut types: 2 in lozenge shape 9.3 x 7 mm and 7.7 x 6.6 mm; 4 round shapes with diameters of approx. 9.2 mm, 8.7 mm, 6.7 mm and 6.5 mm; oval 1 x 9.2 x 7.3 mm; framed by 111 diamonds pavé-set in various old cuts, total approx. 5.38 ct (according to engraving); colour: H-K; clarity: VS-Piqué 2; dimensions of the pin: 64 x 25.8 mm; stamped on the reverse: Carl Ernst; 2 rubies with punctual bruising, minimal facet wear; pin stem and at the Garder two small tin restorations; rubies likely added later; presumably a marriage.
Solid silver casting (999/- fine silver); sculpture circa 2017; female reclining nude; oxidation residues and minimal age-related signs of wear; underside with artist’s stamp and fineness mark; length: approx. 10 cm.
Bronze with gold patination; “The Thorn Puller” after an antique model “Capitoline Thorn Puller”; figure of a naked youth seated on a plinth in the form of a stylised stone, bending over to pull a thorn from his heel; mounted on a round base of black marble; underside lined with felt; partly with verdigris residues and minimal signs of age-related wear; height: approx. 22.4 cm; weight: approx. 4057 g.
Bronze, brown patinated, mounted on a rectangular wooden plaque; crucifix structured like a triptych, with a semi-sculptural depiction of Jesus beneath the inscription “Ich lebe ihr sollt auch leben” (“I live you also shall live”), and below that a probable depiction of his resurrection in the center, flanked by two scenes from the life of Jesus Christ on the left and right; groove on the reverse for hanging, as well as two holes with wire cables fastening the bronze to the wooden plaque under loose adhesive strips; the connection between relief and wood is slightly loosened; some water stains and chipping on the wooden plaque; age-related signs of wear; dimensions of bronze relief: approx. 43.7 x 31.3 cm; dimensions of wooden plaque: approx. 57.5 x 38.5 cm; total weight: approx. 5.12 kg.
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Colour lithograph on paper; “Solomon” from 1956, from Chagall’s Bible series; combination of expressionism and surrealism; depiction of King Solomon as a monumental central figure in a gesture of blessing, surrounded by angels, figural and ornamental elements, and biblically evocative symbolism in violet and yellow tones, accented in black; catalogue raisonné: Mourlot 131; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 1.4 kg.
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