Schmucktaschenuhr an kleiner Brosche, Stiefmütterchen-Dekor mit polychromer Emaille und 2 kleinen Diamantrosen, Jugendstil, um 1900
Jewellery pocket watch attached to a small brooch, pansy motif with polychrome enamel and 2 small rose-cut diamonds, Art Nouveau, circa 1900
Gestempelt: 585/- und 375/- Gelbgold; Gesamtgewicht: ca. 20 g; Sprungdeckel aus goldfarbenem Metall; kleine Taschenuhr mit weißem Emaille-Zifferblatt, blauen arabischen Ziffern mit goldfarbenen Punkten konturiert; pfeilförmige Zeiger; auf dem rückseitigen Deckel Stiefmütterchenblüte, in polychromer Emaille gemalt, mit zentral gefasster kleiner Diamantrose; Taschenuhr eingehängt an einer kleinen Brosche, als plastische Stiefmütterchenblüte; Schau- und Rückseite mit polychromen Emaillefarben bemalt und mittig gefasster kleiner Diamantrose; Taschenuhrdurchmesser: ca. 26,2 mm; Broschenmaße: ca. 24,4 x 19,5 mm; Gesamtlänge: ca. 60 mm; Emaille mit diversen kleineren Bestoßungen; keine Garantie auf Werk- und Funktion.
Stamped: 585/- and 375/- yellow gold; total weight: approx. 20 g; spring-hinged cover in gold-coloured metal; small pocket watch with white enamel dial, blue Arabic numerals outlined with gold-coloured dots; arrow-shaped hands; on the reverse cover a pansy blossom painted in polychrome enamel, centrally set with a small rose-cut diamond; pocket watch suspended from a small brooch in the form of a sculptural pansy blossom; front and reverse decorated with polychrome enamel colours and centrally set small rose-cut diamond; pocket watch diameter: approx. 26.2 mm; brooch dimensions: approx. 24.4 x 19.5 mm; total length: approx. 60 mm; enamel with various small chips; no guarantee on movement or functionality.
Solid silver casting (999/- fine silver); sculpture circa 2017; female reclining nude; oxidation residues and minimal age-related signs of wear; underside with artist’s stamp and fineness mark; length: approx. 10 cm.
Bronze with gold patination; “The Thorn Puller” after an antique model “Capitoline Thorn Puller”; figure of a naked youth seated on a plinth in the form of a stylised stone, bending over to pull a thorn from his heel; mounted on a round base of black marble; underside lined with felt; partly with verdigris residues and minimal signs of age-related wear; height: approx. 22.4 cm; weight: approx. 4057 g.
Bronze, brown patinated, mounted on a rectangular wooden plaque; crucifix structured like a triptych, with a semi-sculptural depiction of Jesus beneath the inscription “Ich lebe ihr sollt auch leben” (“I live you also shall live”), and below that a probable depiction of his resurrection in the center, flanked by two scenes from the life of Jesus Christ on the left and right; groove on the reverse for hanging, as well as two holes with wire cables fastening the bronze to the wooden plaque under loose adhesive strips; the connection between relief and wood is slightly loosened; some water stains and chipping on the wooden plaque; age-related signs of wear; dimensions of bronze relief: approx. 43.7 x 31.3 cm; dimensions of wooden plaque: approx. 57.5 x 38.5 cm; total weight: approx. 5.12 kg.
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Colour lithograph on paper; “Solomon” from 1956, from Chagall’s Bible series; combination of expressionism and surrealism; depiction of King Solomon as a monumental central figure in a gesture of blessing, surrounded by angels, figural and ornamental elements, and biblically evocative symbolism in violet and yellow tones, accented in black; catalogue raisonné: Mourlot 131; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 1.4 kg.
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