Paar Art Déco Ohrgehänge mit Altschliff-Diamanten, 11 Diamantrosen und 8 kleinen Orientperlen, um 1925–1935
Pair of Art Déco pendant earrings with old-cut diamonds, 11 rose-cut diamonds and 8 small oriental pearls, circa 1925-1935
Ungestempelt: 585/- Gelbgold und Silber parkettiert; Gesamtgewicht: ca. 5,4 g; längliche, schmale, mehrfach gegliederte und durchbrochene Formen, u. a. mit rosettenförmigen Enden; mittig in den Rosetten je ein gefasster Altschliff-Diamant, 1 x 0,37 ct und 1 x 0,4 ct; Farbe: G-H; Reinheit: VS-SI; Steg- und Bogenkonturen mit zus. 11 Diamantrosen ausgefasst, zus. ca. 0,08 ct; Farbe: im mittleren und oberen Bereich; Reinheit: im mittleren Bereich; sowie jeweils 4 kleine silbergraue Orientperlen mit grau-bräunlichem Lüster, Durchmesser: ca. 1,2 - 2 mm; Gesamtlänge: ca. 4 cm; Maße der Rosette: ca. 18,1 x 10,9 mm.
Unstamped: 585/- yellow gold and silver, parcel-gilt; total weight: approx. 5.4 g; elongated, narrow, multi-segmented and openwork forms, including rosette-shaped terminals; centrally in each rosette one set old-cut diamond, 1 x 0.37 ct and 1 x 0.4 ct; colour: G-H; clarity: VS-SI; bar and arch contours set with a total of 11 rose-cut diamonds, total approx. 0.08 ct; colour: medium to upper range; clarity: medium range; each set with 4 small silver-grey oriental pearls with grey-brown lustre, diameter: approx. 1.2-2 mm; total length: approx. 4 cm; dimensions of the rosette: approx. 18.1 x 10.9 mm.
Colour lithograph on paper; “Angels in Paradise” from 1956, from Chagall’s Bible series; combination of expressionism and surrealism; depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accented in black; catalogue raisonné: Mourlot 121; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 1.4 kg.
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Colour lithograph on paper; “Rachel Steals Her Father’s Household Gods” from 1960, from Chagall’s Bible series; combination of expressionism and surrealism in ochre, blue and orange tones, accented in black; depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, flowing transitions and a figure; catalogue raisonné: Mourlot 242; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; weight: approx. 1.45 kg.
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Colour lithograph on paper; “Ruth the Gleaner” from 1960, from Chagall’s Bible series; combination of expressionism and surrealism in ochre, blue and orange tones, accented in black; depiction of the biblical figure Ruth during the gleaning in a rural-archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; weight: approx. 1.45 kg.
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Oil on board; impressionist landscape painting; depiction of a group of houses situated along a riverbank with a large monument in the background, presumably Montmartre, viewed from a body of water under a cloudy sky, navigated by several small boats; signed lower left; various superficial discolorations as well as a frame imprint along the right side of the image; wide black wooden frame with gilt ornamental decoration; not opened; on the reverse the painting is unprofessionally affixed to the frame with transparent adhesive tape; on the reverse a large water stain at the upper right, approx. 14.5 x 18 cm; image dimensions: approx. 37.1 x 49.3 cm; frame dimensions: approx. 48.3 x 59.4 cm; weight: approx. 1.7 kg.
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