Ring und Stabnadel mit je 1 Saphir und insgesamt 22 Brillanten, zus. ca. 1,8 ct, Juwelierarbeit, 80- er Jahre
Ring and stick pin each with 1 sapphire and a total of 22 brilliant-cut diamonds, total approx. 1.8 ct, jeweller’s work, 1980s
Ring: 750/- Weißgold; Gesamtgewicht: ca. 5,4 g; erhöhte, getreppte Krappenfassung; mittig gefasster Saphir; Maße: ca. 8 x 6,9 x 3,2 mm; umrahmt von 12 Brillanten, zus. ca. 1,4 ct; Farbe: G-H; Reinheit: VSI-SI; Maße der Ringmitte: ca. 15,4 x 13,7 mm; Höhe: ca. 9,2 mm; Ringgröße: 50.
Stabnadel: 585/- Weißgold; Gesamtgewicht: ca. 4 g; leicht gewellte Stabform; mittig im Oval angeordnete, einzelne Krappenfassungen mit zentral gefasstem Saphir; Maße: ca. 6 x 5,2 x 1,8 mm; umrahmt von 10 Brillanten, zus. ca. 0,46 ct; Farbe: I-J; Reinheit: VSI-Piqué; Maße der Nadelmitte: ca. 3,6 x 2,4 mm; Höhe: ca. 4,6 mm; Gesamtlänge: ca. 4,5 cm.
Ring: 750/- white gold; total weight: approx. 5.4 g; raised, stepped claw setting; centre set with sapphire; dimensions: approx. 8 x 6.9 x 3.2 mm; surrounded by 12 brilliant-cut diamonds, total approx. 1.4 ct; colour: G-H; clarity: VSI-SI; dimensions of ring centre: approx. 15.4 x 13.7 mm; height: approx. 9.2 mm; ring size: 50.
Stick pin: 585/- white gold; total weight: approx. 4 g; slightly wavy bar shape; central oval arrangement of single claw settings with centre set sapphire; dimensions: approx. 6 x 5.2 x 1.8 mm; surrounded by 10 brilliant-cut diamonds, total approx. 0.46 ct; colour: I-J; clarity: VSI-piqué; dimensions of pin centre: approx. 3.6 x 2.4 mm; height: approx. 4.6 mm; total length: approx. 4.5 cm.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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