31-teiliges Konvolut Silberbesteck „Schloß Rosenborg“, Wilkens, Bremen, 2. Hälfte 20. Jahrhundert
31-piece silver cutlery set “Schloß Rosenborg”, Wilkens, Bremen, 2nd half of the 20th century
800/- Silber; Gesamtgewicht (ohne Messer): ca. 966 g; 31-teiliges Besteckkonvolut „Schloß Rosenborg“ im Originalkasten, bestehend aus: 1) 6 Menümesser; einige mit altersbedingten Verfärbungen am Kropf; Länge: ca. 20 cm. 2) 6 Menügabeln; Länge: ca. 17,7 cm. 3) 4 Menülöffel; Länge: ca. 17,8 cm. 4) 6 Teelöffel; Länge: ca. 13,2 cm. 5) 6 Kuchengabeln; Länge: ca. 14,7 cm. 6) 1 Suppentassenlöffel; diverse oberflächliche Kerben an der Laffe; Länge: ca. 15 cm. 7) 1 Zuckerlöffel; Länge: ca. 13 cm. 8) 1 Mokkalöffel; Länge: ca. 10,5 cm. Alle Teile gestempelt mit Halbmond und Krone, Herstellermarke und Feingehaltsstempel sowie mit altersbedingten Gebrauchsspuren.
800/- silver; total weight (without knives): ca. 966 g; 31-piece cutlery set “Schloß Rosenborg” in original case, comprising: 1) 6 dinner knives; some with age-related discolouration at the bolster; length: ca. 20 cm. 2) 6 dinner forks; length: ca. 17.7 cm. 3) 4 dinner spoons; length: ca. 17.8 cm. 4) 6 teaspoons; length: ca. 13.2 cm. 5) 6 cake forks; length: ca. 14.7 cm. 6) 1 soup cup spoon; various surface nicks on the bowl; length: ca. 15 cm. 7) 1 sugar spoon; length: ca. 13 cm. 8) 1 mocha spoon; length: ca. 10.5 cm. All pieces stamped with crescent moon and crown, maker’s mark and fineness mark, and with age-related signs of wear.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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