Chippendale-Tablett mit Gravur, Wilhelm Binder, Schwäbisch Gmünd, 2. Hälfte 20. Jahrhundert
Chippendale tray with sophisticated engraving, Wilhelm Binder, Schwäbisch Gmünd, 2nd half of the 20th century
835/-Silber; Gewicht: ca. 614 g; Anbiettablett mit sechspassiger, leicht ausgestellter, profilierter Fahne und fein gravierter Abbildung des Anwesens „Dreizehnlinden“ in der Bebelallee in Hamburg, darüber eingraviert ein ungedeutetes Familienwappen, darunter in Versalien „Dreizehnlinden“ und datiert auf 27. Dezember 1938; punktuelle dunkle Korrosionsrückstände sowie altersbedingte Gebrauchsspuren; Durchmesser: ca. 33 cm.
835 silver; weight: approx. 614 g; serving tray with six-lobed, slightly flared, profiled rim and finely engraved depiction of the estate “Dreizehnlinden” in the Bebelallee in Hamburg, above engraved an unidentified family crest, below in capital letters “Dreizehnlinden” and dated 27 December 1938; localized dark corrosion residues as well as age-related signs of wear; diameter: approx. 33 cm.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.