Drei verschiedene Vasen, Deutschland, 20. Jahrhundert
Three different silver vases, Germany, 20th century
1 x 925/- (gefüllt), 1 x 835/- Silber und 1 x Plated; Gesamtgewicht: ca. 328 g; Konvolut bestehend aus: 1) kleine Vase mit birnenförmigem Korpus, umlaufend senkrecht godroniert, mit eingezogenem Schaft auf konvexem, gefülltem Stand; seitlich gestempelt mit Halbmond und Krone, Herstellermarke Gayer & Krauss aus Schwäbisch Gmünd sowie Feingehaltsstempel „925“; Höhe: ca. 14,3 cm. 2) Vase mit birnenförmiger Wandung auf schmalem Standring mit trichterförmigem Rand; unterseitig gestempelt mit Halbmond und Krone, Herstellermarke Hermann Emil aus Waldstetten und Feingehaltsstempel; Höhe: ca. 14,3 cm. 3) Henkelvase mit gedrückt kugeligem Korpus, seitlich angesetztem Henkel und breitem, geschwungenem Ausguss; unterseitig mit Herstellermarke Hohmann & Katz AG aus Pforzheim versehen; Höhe: ca. 10,5 cm. Alle Teile mit altersbedingten Gebrauchsspuren.
1 x 925/- (filled), 1 x 835/- silver and 1 x plated; total weight: ca. 328 g; lot comprising: 1) small vase with pear-shaped body, vertically fluted all around, with tapered shaft on convex filled base; side stamped with crescent moon and crown, maker’s mark Gayer & Krauss, Schwäbisch Gmünd, and fineness mark “925”; height: ca. 14.3 cm. 2) vase with pear-shaped body on narrow foot ring with funnel-shaped rim; underside stamped with crescent moon and crown, maker’s mark Hermann Emil, Waldstetten, and fineness mark; height: ca. 14.3 cm. 3) handled vase with compressed globular body, side-mounted handle and wide, curved spout; underside with maker’s mark Hohmann & Katz AG, Pforzheim; height: ca. 10.5 cm. All pieces with age-related signs of wear.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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