Antikes Patenbesteck, Alexander Ferdinand Lux (1839–1864), Hamburg, Mitte des 19. Jh.
Antique christening cutlery set, Alexander Ferdinand Lux (1839-1864), Hamburg, Germany, mid 19th cent.
12-lötig; Gesamtgewicht: ca. 72 g; 4-teiliges Besteckset in Spatenform mit Widmung „Ferdinande“ am Stilende, bestehend aus Löffel (L: ca. 18,3 cm), Messer (L: ca. 18,8 cm), Teelöffel (L: ca. 15,1 cm) und Gabel (L: ca. 17,4 cm); altersbedingte Gebrauchsspuren; rückseitig an Schaft bzw. Klinge gestempelt mit Hamburger Tormarke mit Buchstaben „D“ (1853-1865) und Meistermarke; in originalem Geschenkkasten mit Gravur aus 1862.
12-lot silver; total weight: approx. 72 g; four-piece cutlery set in spade pattern with the dedication “Ferdinande” to the end of the handle, comprising spoon (L: approx. 18.3 cm), knife (L: approx. 18.8 cm), teaspoon (L: approx. 15.1 cm) and fork (L: approx. 17.4 cm); age-related signs of wear; reverse of shaft or blade stamped with the Hamburg gate mark with letter “D” (1853-1865) and maker’s mark; housed in the original presentation case with engraved date 1862.
Oil on board; untitled, dated 1943; impressionist landscape painting; view of a farmstead with four visible buildings in a winter landscape behind bare tree staffage beneath a cloudy sky; signed and dated lower left; profiled wooden frame in gold-toned and black colours; not opened; foxing on the reverse; foxing and a chip measuring approx. 8 mm at the lower left of the image; image dimensions: approx. 40 x 50 cm; frame dimensions: approx. 46.2 x 56.5 cm; weight: approx. 1.5 kg.
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Oil on canvas, lined; realistic landscape painting; view from a plateau down into a flat valley with fields and tree staffage before a mountain range on the horizon beneath a cloudy sky, in the foreground a calm body of water along whose shore sailing boats are moored beside architectural and figure staffage; extensive craquelure and superficial discoloration as well as soiling of approx. 6 mm along the outer right image edge; profiled dark brown wooden frame with double undulating edge finish and inner gilt border; plaque mounted at the bottom of the frame inscribed “Philip de Koning 1619 – 1689 Amsterdam”; not opened; on the reverse of the stretcher an old adhesive label inscribed “Philippe de Koning 1619 – 1689 élève de Rembrandt”; image dimensions: approx. 37 x 51.3 cm; frame dimensions: approx. 52.2 x 67.4 cm; total weight: approx. 2.3 kg.
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Oil on card; “Reutum-Watt”; landscape painting with rows of houses; depiction of a larger homestead on the coast of the Sylt tidal flats (Reutum), set within a flat green landscape under a cloudy sky; impasto application of paint; incised signature and inscription lower right; superficial soiling; curved brown wooden frame with golden edging; not opened; verso several numbering marks; painting dimensions: approx. 50 x 59 cm; frame dimensions: approx. 56 x 66 cm; weight: approx. 2 kg.
Oil on card; “Bergen”; marine painting; depiction of the harbour of Bergen with a large, moored sailing ship in front of a row of houses on the right side of the composition and a steamship in motion before a mountain range on the left; incised signature and inscription lower left; age-related signs of wear; white stepped wooden frame; not opened; verso repeatedly numbered; painting dimensions: approx. 49.5 x 60 cm; frame dimensions: approx. 55 x 65 cm; weight: approx. 2 kg.