Paar Gewürzschalen mit Löffeln, Robert Frederick Fox, London, England, 1919/1920
Pair of condiment bowls with spoons, Robert Frederick Fox, London, England, 1919/1920
Sterling Silber; Gesamtgewicht: ca. 371 g (ohne Glaseinsatz: ca. 176 g); Paar Gewürzschälchen auf vier Klauenfüßen mit senkrechter Wandung in Durchbrucharbeit mit Vogel- und Floralmotiven sowie je einer Kartusche auf der Schauseite, Kordelrand und profiliertem unterem Randabschluss; beide mit kobaltblauem ovalen Glaseinsatz; Höhe: ca. 4,5 cm; Paar Löffel mit tiefer, runder Laffe, schmalem konischem Stiel im „Onslow pattern“; Länge: ca. 8,4 cm; alle Silberteile mit Lion Passant, Stadtmarke, Meistermarke sowie Jahresbuchstabe versehen: Gewürzschälchen unterseitig mit Jahresbuchstabe für 1919 und Löffel rückseitig am Stiel mit Jahresbuchstabe 1920; altersbedingte Gebrauchsspuren.
Sterling silver; total weight: approx. 371 g (without glass liner: approx. 176 g); pair of condiment bowls on four claw feet with vertical walls in openwork design with bird and floral motifs and one cartouche each on the front, with corded rim and profiled lower edge; both with cobalt-blue oval glass liners; height: approx. 4.5 cm; pair of spoons with deep round bowl, narrow conical handle in the “Onslow pattern”; length: approx. 8.4 cm; all silver parts struck with lion passant, town mark, maker’s mark and date letter: bowls underside with date letter for 1919, spoons reverse of handle with date letter 1920; age-related signs of wear.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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