Silberne Kanne im Biedermeier-Stil, Georg Stephan Dörffer (tätig um 1793–1824), Würzburg, Anfang 19. Jahrhundert
Silver pot in Biedermeier style, Georg Stephan Dörffer (active c. 1793-1824), Würzburg, early 19th century
13-lötig; Gewicht: ca. 683 g; aufwendig gestaltete Silberkanne mit birnenförmigem Korpus, umlaufendem Weinrankendekor und eingezogenem Schaft auf rundem Standfuß, umlaufend reliefiert mit Weinblattdekor; hoch angesetzter Ohrenhenkel aus hellem Holz; seitlich abklappbarer Deckel mit Perlrand- und Ornamentaldekor, bekrönt von einer Handhabe in Form stilisierter Weinblätter; breiter Schnabelausguss mit reliefiertem Bacchusporträt; altersbedingte Gebrauchsspuren; seitlich am Standfuß gestempelt mit Meistermarke („GSD“ im Herzschild - vgl. Rosenberg, Bd. III, Nr. 4954) und Würzburger Stadtmarke, Beschauzeichen; Höhe: ca. 26,8 cm.
13-lot silver; weight: approx. 683 g; elaborately designed silver pot with pear-shaped body, continuous vine decoration and indented shaft on a circular foot, encircled with relief vine leaf ornamentation; high-set ear-shaped handle made of light wood; hinged lid on the side with beaded and ornamental decoration, surmounted by a handle in the form of stylised vine leaves; wide spout adorned with a relief of Bacchus; age-related signs of wear; hallmarked on the side of the base with master’s mark (“GSD” in a heart-shaped shield - cf. Rosenberg, Vol. III, No. 4954) and Würzburg city mark, assay mark; height: approx. 26.8 cm.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.