Teeservice im Queen-Anne-Stil, Walter & John Barnard, London, England, 1892
Tea service in Queen Anne style, Walter & John Barnard, London, England, 1892
Sterling Silber; Gesamtgewicht: ca. 851 g; dreiteiliges Konvolut im Queen-Anne-Stil, bestehend aus: 1) Teekanne mit mittig angesetztem Ausguss, großem J-Henkel aus ebonisiertem Holz und abklappbarem Deckel mit korrespondierender rechteckiger Handhabe aus ebonisiertem Holz; Höhe: ca. 14,2 cm; altersbedingte Gebrauchsspuren an der Wandung (u. a. Kerben) und am Griff. 2) Rahmgießer mit J-Henkel und breitem Ausguss; Höhe: ca. 9,7 cm; Gebrauchsspuren besonders im Henkelinneren sowie oberflächliche Verfärbung. 3) Zuckerschale mit beidseitig angesetzten J-Henkeln; Höhe: ca. 10,2 cm; altersbedingte Gebrauchsspuren sowie Oxidationsrückstände. Alle Teile gestempelt mit Lion Passant, Stadtmarke, Jahresbuchstabe sowie Meistermarke.
Sterling silver; total weight: approx. 851 g; three-piece ensemble in Queen Anne style, consisting of: 1) teapot with centrally attached spout, large J-handle made of ebonised wood and hinged lid with corresponding rectangular handle of ebonised wood; height: approx. 14.2 cm; age-related signs of wear on the wall (including nicks) and on the handle. 2) cream jug with J-handle and wide spout; height: approx. 9.7 cm; signs of use especially on the inside of the handle as well as superficial discolouration. 3) sugar bowl with double side-mounted J-handles; height: approx. 10.2 cm; age-related signs of wear as well as oxidation residues. All parts stamped with Lion Passant, town mark, date letter and maker’s mark.
Colour lithograph on paper; “David with the harp” from 1956, from Chagall’s Bible series; depiction of King David holding a harp, his central attribute, in both hands, against a background reduced to atmospheric colour fields in red tones, accentuated in black and grey; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; with certificate from Galerie Hohmann, Hamburg; edition of 6500 unsigned copies; catalogue raisonné: Mourlot 134; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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