Bronze braun patiniert; „Escholier 14. Jahrhundert“; männliche Figur in mittelalterlicher Robe und Hut mit Feder, unter einem Arm ein Buch tragend, am Gürtel ein Schwert befestigt und an einem Finger einen Ring haltend, an dem ursprünglich eine Lampe befestigt war, die fehlt; auf runder Bronzeplinthe mit Steinplattenstruktur montiert; auf der Plinthe signiert und betitelt; Oberfläche unregelmäßig patiniert bzw. berieben; Höhe: ca. 36 cm; Gewicht: ca. 3585 g.
Brown-patinated bronze; “Escholier 14th century”; male figure in a medieval robe and hat with feather, carrying a book under one arm, a sword fastened to the belt, and holding a ring on one finger from which a lamp originally hung, now missing; mounted on a round bronze plinth with stone-slab structure; signed and titled on the plinth; surface irregularly patinated and rubbed; height: approx. 36 cm; weight: approx. 3585 g.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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