4 Meisterstück Schreibgeräte im Original Etui „Meisterstück Leather Collection“, Montblanc, 20. Jh.
4 Meisterstück writing instruments in original case “Meisterstück Leather Collection”, Montblanc, 20th c.
Kalbsleder matt gewachst, Vorderseite mit Montblanc-Emblem, Prägung innen „MONTBLANC“ und „MADE IN GERMANY“; darin 4 Meisterstück-Schreibgeräte, jeweils Korpus schwarzes Edelharz, Kappe schwarzes Edelharz mit Montblanc-Emblem als Intarsie in der Kappenspitze, vergoldete Ringe und Clips, Kappenring jeweils bezeichnet „MONTBLANC MEISTERSTÜCK“ und 3 x Modellnummer, Clipring jeweils bezeichnet „GERMANY“ und 3 x individuelle Seriennummer; 1) Füllfüller „Nr.146“, 2) Kugelschreiber „Nr.162“, 3) Fineliner, 4) Textmarker „Nr.166“ (ohne Mine); sehr guter Zustand; Länge der Schreibgeräte: ca. 14 - 14,5 cm; Gewicht Etui: 129 g, Gesamtgewicht: ca. 244 g.
Calf leather, matt waxed, front with Montblanc emblem, interior embossed “MONTBLANC” and “MADE IN GERMANY”; containing 4 Meisterstück writing instruments, each with barrel in black precious resin, cap in black precious resin with Montblanc emblem inlaid at the cap top, gilt rings and clips, each cap ring inscribed “MONTBLANC MEISTERSTÜCK” and 3 x model number, each clip ring inscribed “GERMANY” and 3 x individual serial number; 1) fountain pen “No.146”, 2) ballpoint pen “No.162”, 3) fineliner, 4) highlighter “No.166” (without refill); very good condition; length of writing instruments: ca. 14 - 14.5 cm; case weight: 129 g, total weight: ca. 244 g.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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