Deckelhumpen mit studentischer Heraldik, 1. Hälfte 19. Jahrhundert
Lidded tankard with student heraldry, 1st half of the 19th century
Glas mit Emaildekor und Zinnmontierung; Humpen mit mehrpassiger, konischer Wandung, mittig angesetztem C-Henkel und abklappbarem Deckel mit Daumenruh in Form eines stilisierten Adlers; Deckelmontierung aus Zinn mit Weißporzellaneinsatz, darauf abgebildet das Wappen einer historischen, Stuttgarter (heute vermutlich aufgelösten und nicht zugeordneten) Studentenverbindung bzw. Burschenschaft mit den umlaufenden Schriftzügen „Hütte sei’s Panier!“ und „Glück auf!“; auf der Innenseite beschriftet: „E. Wandel“, ligiertes Monogramm „FH“, „s/l E. Beines“ (selbes ligiertes Monogramm), „z. frndl. Erg. W.S. 1909/10 R. Frank Stuttgart“; am Rand eingeritzt „6/20 G“; facettierter Standring; altersbedingte Gebrauchsspuren, Riss an der Deckelmontur; Höhe: ca. 18,2 cm; Gewicht: ca. 967 g.
Glass with enamel décor and pewter mount; tankard with lobed, conical body, centrally attached C-handle and hinged lid with thumb rest in the form of a stylised eagle; pewter lid mount with white porcelain insert depicting the coat of arms of a historical Stuttgart student fraternity (presumably dissolved and unassigned today) with the surrounding inscriptions “Hütte sei’s Panier!” and “Glück auf!”; inner side inscribed: “E. Wandel”, interlaced monogram “FH”, “s/l E. Beines” (same interlaced monogram), “z. frndl. Erg. W.S. 1909/10 R. Frank Stuttgart”; inscribed “6/20 G” on the rim; faceted foot ring; age-related signs of wear, crack to the lid mount; height: approx. 18.2 cm; weight: approx. 967 g.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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