4-teilige Schreibgarnitur aus Portoro-Marmor, um 1930
4-piece writing Set made of Portoro marble, circa 1930
Portoro-Marmor und Metall; vierteilige Schreibgarnitur bestehend aus: 1) Schreibtischablage auf vier aufgeklebten Filzschonern für Stifte und seitlich aufklappbares Kästchen mit zwei Paar Tintenfässchen aus Steingut; unterseitig zwei Klebeetiketten; Maße: ca. 9,9 x 31,9 x 16 cm. 2) Löschwiege mit konischer Handhabe; Höhe: ca. 8 cm. 3) Briefhalter auf vier aufgeklebten Filzschonern mit unterseitigem Klebeetikett; Maße: ca. 11 x 16 x 9 cm. 4) Füllfederhalter aus schwarzem Bakelit auf runder Plinthe mit Filzunterleger; Durchmesser Plinthe: ca. 9 cm; Höhe: ca. 9 cm; Set mit mehreren kleinen Abplatzungen von ca. 1 bis 7 mm und altersbedingten Gebrauchsspuren; Gesamtgewicht: ca. 5,2 kg.
Portoro marble and metal; four-piece writing Set comprising: 1) desk tray on four felt pads for pens and a side-opening box with two pairs of stoneware inkwells; underside with two adhesive labels; dimensions: approx. 9.9 x 31.9 x 16 cm. 2) rocker blotter with conical handle; height: approx. 8 cm. 3) letter holder on four felt pads with adhesive label on the underside; dimensions: approx. 11 x 16 x 9 cm. 4) fountain pen made of black Bakelite on a round plinth with felt pad; plinth diameter: approx. 9 cm; height: approx. 9 cm; Set with several small chips of approx. 1 to 7 mm and age-related signs of wear; total weight: approx. 5.2 kg.
Oil on panel; landscape painting; depiction of a shepherd standing within the archway of an aqueduct ruin before an expansive mountainous landscape, gazing at his livestock in the foreground, which are watering and resting by a body of water; in the style of Nicolaes Berchem; lower left illegibly signed “ABeyeyn(?)”, with restoration traces in the signature area; age-related surface discolouration and visible wood grain; wide, profiled dark brown wooden frame with gilt accents; not opened; reverse stamped by the framer; image dimensions: approx. 36 x 32.5 cm; frame dimensions: approx. 47 x 43 cm; total weight: approx. 1.9 kg.
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Oil on canvas; marine painting with a valeuristic colour concept; view from a shoreline across waters navigated by steamships and sailing boats, set before a rocky coastal landscape under a cloudy sky; signed lower right; loss of approx. 4 mm to the canvas; localised soiling and discolouration, with fine craquelure in places; ornate profiled wooden frame with carved ornamental and floral decoration, showing some losses and fine cracks; the frame bears a metal plaque inscribed “Prof. Schnars-Alpuist”; not opened; reverse with old adhesive labels on stretcher and frame providing information on the framer and the painting, as well as various numbers and annotations; image dimensions: approx. 30.5 x 61 cm; frame dimensions: approx. 51 x 80 cm; total weight: approx. 6.4 kg.
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Oil on card; abstract genre painting with a triadic colour concept; depiction of a Moroccan street scene with rows of houses and figures carrying baskets walking through an alley between seated people with their goods under a light-blue sky; signed lower right; superficial discolorations and minimal signs of wear; curved brown wooden frame with golden edging; verso repeatedly numbered and inscribed “Strasse von Tanger”; newly framed; not opened; painting dimensions: approx. 44 x 58.5 cm; frame dimensions: approx. 50.5 x 65.5 cm; weight: approx. 2.4 kg.
Oil on canvas; industrial painting in muted colours; depiction of a large industrial complex with blast furnaces, smoking chimneys and industrial buildings in front of works railway tracks with several tipper wagons; signed lower right and inscribed “Mchn.”; minimal superficial discoloration; double-stepped wooden frame in marbled gold and white tones; not opened; image dimensions: approx. 80.5 x 80.5 cm; frame dimensions: approx. 95 x 95 cm; weight: approx. 3 kg.