Paar Farblithographien auf Papier; „4 Engel im Paradies“ und „Salomon“ aus 1956 aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus. 1) Abbildung dreier dynamisch angeordneter Engelgestalten, umgeben von organischen Formen und fließenden Übergängen in zarten Violett-, Gelb- und Rottönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 121. 2) Darstellung des Königs Salomon als monumentale Zentralfigur in segnender Geste, umgeben von Engeln, figürlichen und ornamentalen Elementen, biblisch anmutenden Symboliken in Violett- und Gelbtönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 131; beide in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 2,88 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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White porcelain with rich gilt bronze and burnished gold decoration and polychrome flower painting “bouquet” in the well; dished form, scalloped wide rim with rich floral relief decoration, two lateral handles; 1st quality and in good condition with age-related signs of wear as well as a flat underside rim chip and 2 minimal flat chips on the foot ring – inconspicuous in presentation; dimensions: approx. 35 × 20.5 cm; underglaze blue crossed swords mark of the knopfswords period (1924-1934), painter’s mark and impressed mark; weight: approx. 855 g.
750/- yellow gold; total weight: approx. 14.5 g; vertically oriented rectangular high bezel setting with a stepped faceted green tourmaline; dimensions: approx. 10.2 x 9.1 mm; height: approx. 6 mm; wide, semi-arched plain shank; dimensions of ring head: approx. 12.2 x 10.9 mm; width of shank: approx. 7.2 mm; ring size: 56.
585/- rose gold including cover; total weight: approx. 109.1 g; serial number: 1´003´665; calibre: 19.58; manual winding; white enamel dial with black Arabic numerals and small seconds at 6 o’clock; gold-coloured filigree hands; manufacturer’s number: 1003665; front and back surfaces with fine engine-turned guilloché décor; front with elaborate, almost full-surface, intertwined monogram “HK”; written confirmation from Longines Switzerland stating that the pocket watch was purchased on 30 September 1899 at the former Berlin branch (copy of the letter included); diameter excluding crown and bow; movement starts; no guarantee on movement or function.
Square scarf made of 100% silk with hand-rolled hems in shades of orange, brown and green; precise, realistic depiction of various densely arranged game (e.g. wild birds, ducks, rabbits, etc.) among foliage on a yellow ground with orange border; signed with the artist’s name lower right, inscribed “Hermès – Paris” in the centre of the lower margin; in original Hermès box; dimensions: ca. 90 cm x 90 cm.