Farblithographie auf Büttenpapier; „Les Amoureux“, um 1958; Verbindung von Surrealismus und Expressionismus; Darstellung einer Figur in stilisierter Vogelform und einer in stilisierter weiblicher Form, die eng umschlungen, optisch zu einer Figur verschmelzend, nachts bei Vollmond über eine Dorflandschaft fliegen; dreidimensional aufgelegt in einem vergrößerten Passepartout; hinter Glas; blauer, eckiger Rahmen; nicht geöffnet; rückseitig mit Klebeetiketten der Galerie versehen; mit Zertifikat der „Galerie Hohmann“ aus Hamburg; Auflage ca. 3000 unsignierte und unnummerierte Exemplare; Blattmaße: ca. 27,5 x 21,7 cm; Rahmenmaße: ca. 62,3 x 52 cm; Gewicht: ca. 2,6 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Watercolour on paper; landscape painting in muted local colours; depiction of a pond in the foreground, surrounded by a green meadow, bushes and trees in the middle ground and a flat landscape under a slightly cloudy sky; signed lower left; minor discolouration at the right edge of the sheet; white Passepartout; under glass; narrow gilt wooden frame; not opened; image section dimensions: approx. 22 x 29.2 cm; frame dimensions: approx. 35.5 x 43 cm; weight: approx. 1.2 kg.
Oil on artist’s board; seascape in reflex colours; depiction of a rough sea with foaming spray under a cloudy sky, a small flock of seagulls on the left at the horizon; opaque application of paint; indistinct signature lower right “k. L(B?)erllin”; superficial soiling and yellowing; reverse inscribed in pencil Bochum, numbered and with adhesive label; not opened; wide curved silver wooden frame with various losses and cracks; painting dimensions: approx. 20 x 26 cm; frame dimensions: approx. 36.5 x 42.8 cm; weight: approx. 2.52 kg.
Oil on artist’s board; marine painting; depiction of a boat run aground on sand with paddle and ropes in the sand in the foreground, with calm sea and a sailing boat on the horizon in the background; signed lower left “E. Reaßer” (?); presumably varnished; narrow silver-iridescent wooden frame; not opened; image section dimensions: approx. 27.4 x 40.5 cm; frame dimensions: approx. 32.3 x 45.2 cm; weight: approx. 680 g.
Oil on canvas, relined; neoclassical landscape painting; panoramic view of the city of Prague with the Vltava River in the foreground, beside it the Charles Bridge merging into a row of houses in front of a large castle complex on a hill under a cloudy sky in the background; signed lower left, inscribed “Vienna” and dated 1873(?); age-related surface discolourations, restoration traces of approx. 1 cm, and fine craquelure; gilded elaborately carved wooden frame with defects; not opened; painting dimensions: approx. 52.5 x 100 cm; frame dimensions: approx. 67.5 x 115 cm; weight: approx. 5.3 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.