Farblithographie auf Büttenpapier; „Les Amoureux“, um 1958; Verbindung von Surrealismus und Expressionismus; Darstellung einer Figur in stilisierter Vogelform und einer in stilisierter weiblicher Form, die eng umschlungen, optisch zu einer Figur verschmelzend, nachts bei Vollmond über eine Dorflandschaft fliegen; dreidimensional aufgelegt in einem vergrößerten Passepartout; hinter Glas; blauer, eckiger Rahmen; nicht geöffnet; rückseitig mit Klebeetiketten der Galerie versehen; mit Zertifikat der „Galerie Hohmann“ aus Hamburg; Auflage ca. 3000 unsignierte und unnummerierte Exemplare; Blattmaße: ca. 27,5 x 21,7 cm; Rahmenmaße: ca. 62,3 x 52 cm; Gewicht: ca. 2,6 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Colourless Murano glass; one paperweight of semi-spherical form with inserted air bubbles and the inscription “Coke is CocaCola” in white over orange-red colour ornament in the lower half; height: approx. 6.8 cm; one paperweight of ovoid form with inserted thread-like decoration in green and white in corresponding form with fine polychrome millefiori; height: approx. 10 cm; both in age-related condition of use; total weight: approx. 1466 g.
Cobalt-blue opaque glass with silver overlay; handcrafted, trefoil-shaped curved wall, alternately convex and indented, with continuous floral décor and lip rim in silver overlay; recessed pontil mark on the base; age-related signs of wear; height: approx. 12 cm, weight: approx. 489 g.
Three-piece ensemble comprising: 1) lidded box made of opaque, iridescent glass with compressed spherical wall and pewter mount, front and lid decorated with fine floral enamel painting and relief enamel, highlighted in gold; numbered inside the lid; height: approx. 7 cm. 2) Small vase made of frosted clear glass with cylindrical wall on a compressed spherical shaft, encircled by matte and glossy gold painting with black dots and opaque white relief enamel drops (?); height: approx. 16.4 cm. 3) Footed vase with cylindrical body, indented node on a disc-shaped base, decorated with geometric floral enamel painting in iron red, yellow and green tones; yellow node bearing the mark of the Haida Glass School and Johann Oertel & Co.; chip of approx. 8 mm on the lip rim; height: approx. 17 cm. All pieces in age-related condition with corresponding signs of wear and partial gold abrasion; total weight: approx. 989 g.
Overlaid glass, colourless and opaque in blue, yellow and violet tones; after Émile Gallé; multi-layered polychrome glass etched to create a relief motif, presumably a Vosges landscape; inscribed “Tip Gallé” on the central wall; pontil mark on the underside; base with signs of wear; height: approx. 16 cm; weight: approx. 434 g.